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Ballet in Western Culture
A history of the development of ballet from the origins of dance through the 20th century.
Ludwig Minkus, Don Quixote
The ballet Don Quixote, with music by Ludwig Minkus and scenario and original choreography by Marius Petipa, is one of the most enduring creations to have emerged from the flowering of the ballet in late 19th-century Russia. Still popular, it has become a standard repertory piece in ballet companies all over the world. The work was first performed in Moscow at the Bolshoi Theater on 14/26 December 1869. The plot, in four acts and eight scenes, was based on an episode which Petipa had developed from the second part of Cervantes’s novel, relating the love story of Quiteria (known as Kitri in the ballet) and Basilio. Petipa devised the original version to suit the unsophisticated taste of Mos...
Two Essays on Stepanov Dance Notation.
The Russian dancer and teacher Vladimir Stepanov (1866 - 1896) developed a system of human movement notation based on the principles of music notation, details of which he published in French as Alphabet des Movements du Corps Humain, in Paris in 1892. It was accepted as a system of notation in both the Mariinsky and Bolshoi ballet schools and much repertory was notated in it. The dancer, choreographer and teacher Alexander Gorsky was a friend of Stepanov and an advocate of his system. In 1899 he published two long essays explaining the system in considerably more detail and with specifi c relevance to the notation of classical ballet, for use as textbooks by the students in the Mariinsky and Bolshoi schools. It is these two essays, translated and edited by the Russian ballet historian Professor Roland John Wiley which are reproduced here.
Cesare Pugni
Cesare Pugni was born in Genoa on 31 May 1802, and studied in Milan from 1815 to 1822, with Antonio Rollo and Bonifazio Asioli. He became a cymbalist in the theatre orchestra, and on the death of Vincenzo Lavigna, was appointed musical director. He later moved to Paris where he became director of the Paganini Institute and met the great choreographers of the time. He started an artistic collaboration that was to prove one of the most productive in the history of ballet—working closely with Jules Perrot (1810–1892), first in Paris, then in London. Here Pugni presented some of the most renowned ballets of the 19th century, such as Esmeralda (1844) and the Pas de Quatre (1845), which still ...
Ballet's Magic Kingdom
Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburgs liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history. Stanley J. Rabinowitz selects and translates forty of Volynskys articlesvivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen mus...
Marius Petipa
One of the most important ballet choreographers of all time, Marius Petipa (1818 - 1910) created works that are now mainstays of the ballet repertoire. Every day, in cities around the world, performances of Swan Lake and The Sleeping Beauty draw large audiences to theatres and inspire new generations of dancers, as does The Nutcracker during the winter holidays. These are his best-known works, but others - Don Quixote, La Bayadère - have also become popular, even canonical components of the classical repertoire, and together they have shaped the defining style of twentieth-century ballet. The first biography in English of this monumental figure of ballet history, Marius Petipa: The Emperor'...
The great history of Russian ballet
Although the techniques of classical ballets were invented by French and Italian masters two hundred years ago, the Russian Ballet refined these techniques, thus enhancing its already superb performances. This book uncovers the Great History of Russian Ballet, its art and choreography.
Dance on Its Own Terms
Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. Individual chapters serve as case studies that are further organized into three categories of significant dance activity: performance and reconstruction, pedagogy and choreographic process, and notational and other written forms that analyze and document dance. The breadth of the content reflects the richness and vibrancy of the dance field; each deeply informed examination serves as a window opening onto the larger world of dance. Conceptually, each chapter also raises concerns and questions that point to broadly inclusive methodological applications. Engaging and insightful, Dance on its Own Terms represents a major contribution to research on dance.
Leading to Greatness
Leading to Greatness is a hands-on how-to leadership development program designed to guide leaders to self and organizational excellence. By applying five core leadership principles top-level executives will be primed to take their organizations and teams into the future. Principle 1: Define a crystal-clear understanding of values and purpose—and never deviate. Principle 2: Recognize core strengths and align them with passion. Principle 3: Identify and engage the right people and get them in the right seats; no leader excels at everything. Principle 4: Learn to manage energy—not time—to become fully engaged in life (and thus, leadership). Principle 5: Develop a consistent inner discipl...
