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Proceedings of the 22nd International Congress of Genealogical and Heraldic Sciences in Ottawa from August 18 to 23, 1996. -- Actes du 22e congrès international des sciences généalogique et héraldique à Ottawa du 18 au 23 août 1996.
To catch a killer, send a monster... But what if a monster isn’t enough? Shadows gather, winter deepens, and Assevan falls farther into the dark. Pitted against monsters and men, Konrad faces deeper challenges. Darker foes. Some can rival even the Malykant’s power. Pushed beyond his endurance, challenged beyond his sanity, at long last Death’s Avenger might need a little help... Konrad Savast returns for another chilling set of adventures in the second volume of the Malykant Mysteries.
To catch a monster, send a killer. Murderers and monsters alike stalk the snow-drowned streets of Ekamet. When nightmares creep out of the dark, distant past, who can face them? It will take the eldritch powers of the spirit-witch. The ruthless cruelty of the undead. And the monstrous implacability of the Malykant at his best — and his worst. But when it costs everything they can give, can a trio of killers win against nightmare? If you can’t beat the dark, the only way through is to join it... Konrad Savast returns in four final, brutal cases in the collected Malykant Mysteries.
Beginning in the late twelfth century, scholastic theologians such as William of Auvergne, Thomas Aquinas and Engelbert of Admont attempted to provide a rational foundation to the Christian belief in miracles, bolstered by the Aristotelian theory of natural law. Similarly in this period a tension appeared to exist in the recording of miracles, between the desire to exalt the Faith and the need to guarantee believability in the face of opposition from heretics, Jews and other sceptics. As miracles became an increasingly standard part of evidence leading to canonization, the canon lawyers, notaries and theologians charged with determining the authenticity of miracles were eventually issued wit...
With current technology, a voyage to Mars and back will take three years. That’s a lot of time for things to go wrong. But sooner or later a commercial enterprise will commit itself to sending humans to Mars. How will the astronauts survive? Some things to consider are: ith current technology, a voyage to Mars and back will take three years. That’s a lot of time for things to go wrong. But sooner or later a commercial enterprise will commit itself to sending humans to Mars. How will the astronauts survive? Some things to consider are: • Who decides what medical resources are used for whom? Who decides what medical resources are used for whom? • What is the relative weight of mission ...
Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I...
What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.
Winner, 2024 Photographer of the Year, International Photography Awards 2024 NEW YORK TIMES HOLIDAY GIFT GUIDE PICK With his unrivaled photography taken over 20 years of expeditions, including to the North Pole, Copeland transports us to the Arctic to share the heart of the polar cap as never before seen. The Arctic is one of the last true wildernesses on the planet, and its demise should ring the alarm for lower latitudes. Copeland’s multifaceted background—not only a polar explorer, award-winning photographer, and established author and journalist but also a dedicated environmental advocate—offers us a unique vantage point from which to appreciate this lonely spot. Although the vision presented in these pages may be poetic, the book’s aims are pragmatic—to inspire and help foster a transformation toward a sustainable future. The Arctic: A Darker Shade of White is a gateway into Copeland’s intrepid journeys as he takes us along and unveils some regions of the globe that had rarely—if ever—seen a footprint before. It is an intimate and visually arresting ode to the human pursuit of exploration inside Nature’s most remote and otherworldly theater.