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Numerous contemporary artists, particularly female artists, have chosen to examine the idealization of the female body. In this crucial book, Emily L. Newman focuses on a number of key themes including obesity, anorexia, bulimia, dieting, self-harm, and female body image. Many artists utilize their own bodies in their work, and in the act of trying to critique the diet industry, they also often become complicit, as they strive to lose weight themselves. Making art and engaging eating disorder communities (in real life and online) often work to perpetuate the illnesses of themselves or others. A core group of artists has worked to show bodies that are outside the norm, paralleling the rise of fat activism in the 1990s and 2000s. Interwoven throughout this inclusive study are related interdisciplinary concerns including sociology, popular culture, and feminism.
Albert Einstein once said, "A human being is part of a whole, called by us the 'Universe, ' a part limited in time and space. He experiences himself, his thoughts and feelings, as something separated from the rest-a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest us. Our task must be to free ourselves from this prison by widening our circles of compassion to embrace all living creatures and the whole of nature in its beauty." Taking as its point of departure the paradoxical nature of the self, this volume features substantial essays on and supporting images by such provocative international artists as Janet Cardiff, Maurizio Cattelan, Emanuel Danesch and David Rych, Mario García Torres, Amos Gitai, Jenny Holzer, Dennis Hopper, Jonathan Horowitz, Sanja Ivekovic, Amar Kanwar, David Lamelas, Ján Mancuska, Paul McCarthy, Boris Ondreicka, Sergio Prego, Pipilotti Rist, Hans Schabus, Cindy Sherman, Roman Signer, Monika Sosnowska, Salla Tykkä and Slaven Tolj.
Artists especially from dance and performance art as well as opera are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which "survives" it. Case studies from a broad range of interdisciplinary scholars address phenomena such as: The dynamics of transfer between the performing and visual arts. The philosophy and terminologies of transitioning between media. Narratives and counternarratives in historical re-creations. The status of chronology and the document in art scholarship. This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies.
Essays by John W. Smith, Mario Kramer and Matt Wrbican. Introduction by Thomas Sokolowski and Udo Kittelmann.
"This artist book from 2008 accompanies the film installation The Torn First Pages and was published to mark the first anniversary of the September 2007 uprising in Burma. Both film and book project were co-commissioned by Thyssen-Bornemisza Art Contemporary and Public Press. The Torn First Pages is an ode to the region of Burma, to Aung Sang Suu Kyi, to the courage of the democracy movement and to Ko Than Htay, the owner of a book shop in Mandalay, who was sentenced to three years imprisonment, because of tearing out the first pages, before selling the books. By an order of the military government, all these first pages had printed on them the slogan of the military regime and an official denunciation of the democratic forces. Illuminating issues such as contemporary nonviolent resistance, political exile, memory and dislocation, the process of evidence collection and display and the creation and negation of histories, this exhibtion presents films by Amar Kanwar accompanied by works by Burmese activists and filmmakers."--
Published in 1996, Francis Bacon: Anatomy of an Enigma was the first in-depth study of the artist's life. It has not been superseded. In this substantially revised, updated edition - to coincide with the artist's centenary, which will be celebrated from autumn 2008 through summer 2009 - Peppiatt will incorporate confidential material Bacon gave him, which he did not include in the first edition. This valuable, first-hand information comes from the hundreds of conversations Bacon had with Peppiatt, often late into the night, over thirty years, particularly during the periods Bacon spent living and working in Paris. It includes insights into Bacon's intimate relationships, his artistic convict...
Includes an in-depth chronology of Bacon's life and work. Accompanies the Edinburgh International Festival at the Scottish National Gallery of Modern Art, Edinburgh, June 4- Sept 4, 2005.
This book contains surveys and research articles on the state-of-the-art in finitely presented groups for researchers and graduate students. Overviews of current trends in exponential groups and of the classification of finite triangle groups and finite generalized tetrahedron groups are complemented by new results on a conjecture of Rosenberger and an approximation theorem. A special emphasis is on algorithmic techniques and their complexity, both for finitely generated groups and for finite Z-algebras, including explicit computer calculations highlighting important classical methods. A further chapter surveys connections to mathematical logic, in particular to universal theories of various classes of groups, and contains new results on countable elementary free groups. Applications to cryptography include overviews of techniques based on representations of p-groups and of non-commutative group actions. Further applications of finitely generated groups to topology and artificial intelligence complete the volume. All in all, leading experts provide up-to-date overviews and current trends in combinatorial group theory and its connections to cryptography and other areas.