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Design by Accident
A counterhistory and new historiography of design. In Design by Accident, Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
Sublime Fascism
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Staging and the Arts in Nineteenth-Century France
This book discusses the mechanisms and patterns of staging in nineteenth-century France. Often associated with theatre and performance, staging also applies to visual arts. It is thoroughly embedded in a more general cultural development comprising the dissemination of knowledge, political awareness and consumerism. The notion of staging applies to a process of appearing, revealing and disappearing that puts forward new ways for the individual to be seen and to make the self (and the other) visible. Staging determines and questions the process of appearing and disappearing by generating connections and interactions between multiple layers of reality (i.e., artistic, theatrical, literary, and visual) – but according to what criteria, through what mechanisms and with what materials? What are the repercussions of staging, and, even more important, what does staging not show? This book argues that the notion of staging goes beyond interdisciplinarity. Looking at the different ways staging was used and conceived introduces new approaches to understanding visual culture in nineteenth-century France.
Recalling Chogyam Trungpa
In wide-ranging essays and interviews, contributors from the fields of Buddhist practice and scholarship, philosophy, the arts, and literature examine the work of a modern genius—the Tibetan Buddhist meditation master Chögyam Trungpa Rinpoche (1939–1987). A pioneer in introducing Buddhism to the West, Trungpa Rinpoche had a distinct knack for breaking down the cultural, historical, and ideological barriers that make any such transmission so difficult today. His skill at communicating in a living language to Western students, while remaining faithful to the traditional origins of Buddhism, was paired with an understanding of the modern world of unusual relevance. As a result, his activit...
Tomorrow Now
Perspectives on Design and Science Fiction from Filmmakers, Fashion and Graphic Designers. And Writers. Tomorrow Now is a collaboration with filmmakers [David Lynch and Shane Carruth], fashion designers [Paco Rabanne], designers [Dunne & Raby], authors [J.P. Telotte, Peter Cook], as well as several diverse artists and architects. The book features texts on design and science fiction in the context of history, literature, film, architecture, fashion, art. Featuring full-color images from international exhibitions and archives.
Keep it Flat
A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated. Like a giant tortoise shell, with a dome or without... the many different forms of flat earth are a map-like portrayal of dissent, a final bastion to refute modernity. What is flat earth theory? How does it commandeer political and scientific events and propose an alternative narrative? Keep it flat. A little history on flat earth brings together the views of a design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Foeglé and Emma Pflieger) and the curators of the exhibition Terra. Designing our Planet (Jolanthe Kugler and Scott Longfellow) in an attempt to eschew the Manichean vision that generally drives the collective subconsciousness and to understand the underlying mechanisms on which flat earth theory is grounded.
The Murder Factory
The simultaneous emergence of the serial killer and the assembly line as expressions of the rationality of modern production methods. In 1896, at the age of 35, Henry Howard Holmes, whose real name was Herman Webster Mudget, became the first serial killer in the United States, confessing to dozens of crimes. To carry out his activities quietly, he built in Chicago a building so vast that his neighbors called it the “Château.” Located just a stone's throw from the most sophisticated slaughterhouses in the world, lethal, practical, and comfortable, Holmes's building was equipped with the latest innovations. A rational, cozy masterpiece of crime dressed in slippers, Holmes's project fit pe...
Matali Crasset: Works
An innovatively designed monograph on the work of Matali Crasset, one of France’s leading product designers. A darling of French industrial design, Matali Crasset has earned critical praise internationally with her unique spaces and products. Ranging from simple, ergonomic kitchen utensils to architecture, her work engages its end users by asking questions on the role design plays in their everyday lives. Crasset was awarded International Interior Designer of the Year at the British Interior Design Awards in 2004, received the Grand Prize for Design from the city of Paris in 1997, and was a previous recipient of the Premier Prix de Concours Louis Vuitton. Her work includes products and int...
The Crime Was Almost Perfect
What makes crime stories fascinating is that the divisions between the criminal, the victims, and the audience are constantly blurred: we are all potential victims and could perhaps become criminals ourselves. While the exhibition “The Crime Was Almost Perfect” at the Witte de With Center for Contemporary Art in Rotterdam functioned more as a “space for experimentation,” this publication aims to investigate not only detective fiction but the more theoretical, philosophical, and aesthetic aspects of the genre. Published following the closing of the exhibition, this catalogue should be considered a continuation of the project, as a resource in itself, rather than simply documentation o...
Talk to Me
Published in conjunction with an exhibition at The Museum of Modern Art, Talk to Me thrives on an important late 20th-century cultural development in design: a shift from the centrality of function to that of meaning. From this new perspective, objects contain information that goes well beyond their immediate use or appearance, providing access to complex systems and networks and acting as gateways and interpreters. Whether openly and actively, or in subtle, subliminal ways, things talk to us, and designers write the initial script that lets us develop and improvise the dialogue. Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communica...
