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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
1808 Middlesex England... Alexander Tennyson's interests lay in making his family's English countryside thoroughbred farm a financial success. Alex's tall, athletic build, coupled with his charming, easygoing demeanor and handsome good looks, made him the target of many husband hunting pursuits by debutantes and their mothers of the London ton. Sarah Masters, a free spirited, tall, blue eyed American southern beauty followed the voice of her heart to find her happiness. She had an unusual inner instinct that fed her faith in herself and her decisions. The two met while attending a summer event in Georgia. Their attraction was intense and instant. Alex had never met such an unusually genuine ...
This book focuses on piano teachers and the many pains they encounter in their careers. These pains play an essential role in blocking the musical inspiration of their students. The author identifies with the sensitivities of the teachers, aiming at the inspiration permeated and safer playing of their students. The book penetrates the protective mechanisms of the teachers that, on the one hand, maintain their professional functioning, while on the other hand, block refreshing ideas. It combines exploration of secure and culturally informed inspired playing, coping with exaggerated anxiety and understanding the interaction of piano actions with pianist’s physiology. This book helps to open teachers’ perceptions of the ways to enable more secure and more inspired performances while remembering the inner feelings of the piano teachers.
"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCreless This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style. Musical Meaning and Interpretation—Robert S. Hatten, editor
Pierce has been looking for his mate for over a decade and he finally found her. Unfortunately for him, so did Reed. Alexandra's on the run from her father and the friends that he tried to sell her to. She only stopped by Black River to regroup and try to make some extra cash. Things are going fine, until she witnesses two strange men turn into animals in front of her. When they start to fight for her attention, she doesn’t know what to think or how to react. When they tell her that they're her mates, will she be able to accept this new reality that she’s found herself in? Will she trust them with her secrets and eventually her heart? Pierce and Reed don’t know each other and have nothing in common except for their mate, Alexandra. When her father finally finds her, will Pierce and Reed be able to get past their differences in order to protect their mate?
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