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Fifty Key Classical Authors
A chronological guide to influential Greek and Roman writers, Fifty Key Classical Authors is an invaluable introduction to the literature, philosophy and history of the ancient world. Including essays on Sappho, Polybius and Lucan, as well as on major figures such as Homer, Plato, Catullus and Cicero, this book is a vital tool for all students of classical civilization.
The Cambridge Companion to Ovid
Ovid was one of the greatest writers of classical antiquity, and arguably the single most influential ancient poet for post-classical literature and culture. In this Cambridge Companion, chapters by leading authorities from Europe and North America discuss the backgrounds and contexts for Ovid, the individual works, and his influence on later literature and art. Coverage of essential information is combined with exciting critical approaches. This Companion is designed both as an accessible handbook for the general reader who wishes to learn about Ovid, and as a series of stimulating essays for students of Latin poetry and of the classical tradition.
Reading Roman Comedy
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
Seduction and Repetition in Ovid's Ars Amatoria 2
The Ars Amatoria is a poem about sex and poetry, and poetry as sex. Witty and subversive, it is a poem of seduction about seduction: the seduction of the `implied' reader being initiated into the art of love, and ourselves, as we are seduced by the poet into the act of reading the poem. This book offers a new and sophisticated critical assessment of the poem, based on the close analysis of certain passages, whilst at the same time being concerned with the reading of Ovidian poetry generally. Dr Sharrock's study is overtly theoretical, influenced in particular by deconstruction and reader-response theory, with an emphasis on intertextuality. In it she discusses a range of original and important issues: the traditions of didactic poetry and of elegy; the nature of the addressee in literature; the relationship between author and reader, speaker and addressee; poetic self-display; digression and relevence; programmatic theory and poetic value under the sign of Callimachus. This is an important and innovative work, which should be of interest not only to classicists but also to literary critics and theorists in English and other literatures.
The Gendered ‘I’ in Ancient Literature
Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from the Archaic Age to Late Antiquity, the contributions analyse the use and modelling of gender-specific elements in different types of first-person speech, be it that the speaker is (represented as) the author of a work, be it that they feature as characters in the work, narrating their own story or that of others. In doing so, they do not only offer new insights into the rhetorical strategies and lit...
Intratextuality
This collection of papers examines the ways in which ancient authors and modern readers respond to the interrelations of Greek and Latin texts. Readers are encouraged to view and respond to a range of genres and historical texts.
The Pygmalion Effect
Pygmalion's sculpture, which the gods endowed with life, marks, according to this book, perhaps the first instance in Western art of an image that exists on its own terms, rather than simply imitating something else. Stoichita delivers this image and its avatars from the shadow cast by art that merely replicates reality.
Metamorphic Readings
Metamorphic Readings presents a set of original interpretations of Ovid's seminal Metamorphoses and its reception in later literature, representing the state of the art of research on the poem and enhancing the suggestiveness of Ovid's masterpiece.
Maternal Conceptions in Classical Literature and Philosophy
This book explores motherhood in Greek and Roman literature, focusing on images of mothers and their relationships with their children across a variety of genres.
Latin Literature
This highly accessible, user-friendly work provides a fresh and illuminating introduction to the most important aspects of Latin prose and poetry and the fundamental connections between Latin literature and issues of elite Roman culture
