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Art and Cultural Heritage
Art and Cultural Heritage is appropriately, but not solely, about national and international law respecting cultural heritage. It is a bubbling cauldron of law mixed with ethics, philosophy, politics and working principles looking at how cultural heritage law, policy and practice should be sculpted from the past as the present becomes the future. Art and cultural heritage are two pillars on which a society builds its identity, its values, its sense of community and the individual. The authors explore these demanding concerns, untangle basic values, and look critically at the conflicts and contradictions in existing art and cultural heritage law and policy in its diverse sectors. The rich and provocative contributions collectively provide a reasoned discussion of the issues from a multiplicity of views to permit the reader to understand the theoretical and philosophical underpinnings of the cultural heritage debate.
Art in Barbados
Examines the work of Barbadian artists over six decades, from the period of the 1930s which was dominated by the Eurocentric perspective, to the challenging voice of Afro-Barbadian youth of the 1990s. It provides a framework for the conceptualization and interpretation of Barbadian art and serves to correct the ethnocentric image of Barbados as a culturally deficient community.
Curatorship
Museums and cultural centres play an important role in the re-emergence of cultural autonomy in indigenous societies. The May 1994 symposium, Curatorship: Indigenous Perspectives in Post-Colonial Societies, examined the realignment of relationships between indigenous and non-indigenous peoples of the Commonwealth in the context of traditional museum practices. It supported the right of Indigenous peoples to control the management of their cultural heritage and underlined the need for redefining museum models.
Between Slavery and Freedom
Among them was John Anderson, a Scottish lawyer, who arrived on the island of St. Vincent in 1836. An uninhibited racist, he ironically became a central player in Caribbean emancipation.".
Museum Basics
Museums throughout the world have common needs and face common challenges. Keeping up-to-date with new ideas and changing practice is challenging for small and medium-sized museums where time for reading and training is often restricted. This new edition of Museum Basics has therefore been produced for the many museums worldwide that operate with limited resources and few professional staff. The comprehensive training course provided within the book is also suitable for museum studies students who wish to gain a full understanding of work within a museum. Drawing from a wide range of practical experience, the authors provide a basic guide to all aspects of museum work, from audience developm...
The Persistence of Memory
The Persistence of Memory tells the history of the public memory of transatlantic slavery in the largest slave-trading port city in the world, from the end of the 18th century into the 21st century, revealing the persistence of slavery memory in Liverpool as an ongoing, contested debate.
Beyond Representation in Contemporary Caribbean Art
The Caribbean has been traditionally associated with externally devised mappings and categories, thus appearing as a passive entity to be consumed and categorized. Challenging these forces and representations, Carlos Garrido Castellano argues that something more must be added to the discussion in order to address contemporary Caribbean visual creativity. Beyond Representation in Contemporary Caribbean Art arises from several years of field research and curatorial activity in museums, universities, and cultural institutions of Jamaica, Trinidad, Martinique, Guadeloupe, Cuba, Dominican Republic, Puerto Rico, and the United States. This book explores the ways in which Caribbean individuals and ...
Safeguarding Intangible Cultural Heritage
This volume provides a variety of international perspectives on these issues, exploring how holistic and integrated approaches to safeguarding ICH offer an opportunity to move beyond the rhetoric of UNESCO; in partiular, the authors demonstrate that the alternative methods and attitudes that frequently exist at a local level can be the most effective way of safeguarding ICH.
The Oxford Handbook of International Cultural Heritage Law
Provides a comprehensive examination of the field of International Cultural Heritage Law, Explores links with other areas of public and private international law, as well as analysing how cultural heritage law is contributing to the development of international law as a whole, Examines the implementation of cultural heritage law in a wide range of regional contexts including Africa, Americas, Asia, Oceania, and the Middle East Book jacket.
Last Resorts
The Caribbean has the fortune—and the misfortune̬to be everyone's idea of a tropical paradise. Its sun, sand and scenery attract millions of visitors each year and make it a profitable destination for the world's fastest growing industry. Tourism is increasingly touted as its only hope of creating jobs and wealth—literally, the island's last resort. Last Resorts examines the real impact of tourism on the people and landscape of the Caribbean. It explores the structure of ownership of the industry and shows that the benefits it brings to the region do not live up to its claims. New developments in ecotourism, sex tourism, and the burgeoning cruise industry are not changing this pattern of short-term exploitation of the region's resources. The book shows how Caribbean societies are corrupted by tourism and its culture turned into floorshow parody. This new edition has been extensively revised and updated. It gives voice to people inside the tourism industry, its critics, and tourists themselves, and offers vital insights into a phenomenon that is central to the globalized world of today.
