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* Winner: International Congress of Qualitative Inquiry, Outstanding Book Award 2016 * My Father’s Wars is an anthropologist's vivid account of her father's journey across continents, countries, cultures, generations, and wars. It is a daughter's moving portrait of a charming, funny, wounded and difficult man. And it is a scholar's reflection on the dramatic forces of history, the experience of exile and immigration, the legacies of culture, and the enduring power of memory. This book is for Anthropology and Sociology courses in qualitative methods, ethnography, violence, migration, and ethnicity.
At once historical and allegorical, Light in Dark Times is an illustrated ride crossing time, space, and place as the characters walk a difficult path while grasping a lifeline of hope on a journey through knowledge.
The contributers reflect on their ethnographic work at the frontlines and recount not only what they have seen and heard in war zones but also what is being read, studied, analyzed and remembered in such diverse locations as Colombia and Guatemala, Israel and Palestine, Iraq, Afghanistan, and Haiti. They reflect on the important issue of "accountability" and offer explanations to discern causes, patterns, and practices of war.
Love, Sorrow, and Rage gives powerful voice to women like Nora Gaines and Dixie Register, who tell use what it's like to live on the streets of New York, how it feels to lose your mind, about the taste of crack cocaine and the sweetness of friendship. In this novel-like narrative of homelessness and hope, poor women share a table, their meals, and their intimacies with author Alisse Waterston. On the pages of this impassioned ethnography, Waterston puts mythic, demonized bag ladies to rest, and in so doing, brings ordinary women to life. From drug addiction and the spread of AIDS to the growing gap between rich and poor in the U.S., the topics in this book get front-page coverage in daily ne...
As Georgia seeks to reinvent itself as a nation-state in the post-Soviet period, Georgian women are maneuvering, adjusting, resisting and transforming the new economic, social and political order. In Gender in Georgia, editors Maia Barkaia and Alisse Waterston bring together an international group of feminist scholars to explore the socio-political and cultural conditions that have shaped gender dynamics in Georgia from the late 19th century to the present. In doing so, they provide the first-ever woman-centered collection of research on Georgia, offering a feminist critique of power in its many manifestations, and an assessment of women’s political agency in Georgia.
In Anthropology off the Shelf, leading anthropologists reflect on the craft of writing and the passions that fuel their desire to write books. First of its kind volume in anthropology in which prominent anthropologists and 3 respected professionals outside the discipline follow the tradition of the “writers on writing” genre to reflect on all aspects of the writing process Contributors are high-profile in anthropology and many have a strong presence outside the field, in popular culture Unique in its format: short essays, revealing and straightforward in content and writing style
In this book, Alisse Waterston reveals the economic, political, and ideological forces that shape the nature of street-addict life. Disputing the view that hard-core, low-income drug users are social marginals situated in deviant subcultures, the author dispels popular images of the mythic, dark dope fiend haunting our city streets. Using dramatic, first-person accounts from New York City addicts, Waterston analyzes their position in the social structure, the kind of work -- both legal and illegal -- they perform, and their relations with family, friends, and lovers. She presents a moving account of daily life from the addict's point of view and demonstrates how addicts are structurally vulnerable to the larger sociocultural system within which they live.
Sudhir Venkatesh the young sociologist who became famous in Freakonomics (Why do drug dealers still live with their moms?) describes his time living with the gangs on the Southside of Chicago and answers another question: what's it like to live in hell? In the Robert Taylor Homes projects on Chicago's South Side, Sudhir befriends J.T., a gang leader for the Black Kings. As he slowly gains J.T.'s trust, one day, in order to convince Sudhir of his own CEO-like qualities, J.T. makes him leader of the gang... Why does J.T. make his henchmen, the 'shorties', stay in school? What is the difference between a 'regular' hustler and a 'hype' - and is Peanut telling him the truth about which she is? And, when the FBI finally starts cracking down on the Black Kings, is it time to get out - or is it too late?
The book brings together a group of authors who are addressing the nature and causes of warfare in simpler, tribal societies. The authors represent a range of different opinions about why humans engage in warfare, why wars start, and the role of war in human evolution. Warfare in cultures from several different world areas is considered, ranging over the Amazon, the Caribbean, the Andes, the Southwestern United States, Southeast Asia, Polynesia, and Malaysia. To explain the origins and maintenance of war in tribal societies, different authors appeal to a broad spectrum of demographic, environmental, historical and biological variables. Competing explanatory models of warfare are presented head to head, with overlapping bodies of data offered in support of each.
The Shadow Side of Fieldwork draws attention to the typically hidden or unacknowledged aspects of ethnographic fieldwork encounters that nevertheless shape the resulting knowledge and texts. Addressing these invisible, elusive, unspoken or mysterious elements introduces a distinctive rigor and responsibility to ethnographic research. Luminaries in anthropology dare to explore the 'unspeakable' and 'invisible' in the ethnographic encounter Considers personal and professional challenges (ethical, epistemological, and political) faced by researchers who examine the subjectivities inherent in their ethnographic insights Explores the value, and limitations, of addressing the personal in ethnographic research Includes a critical discussion of the anthropologist’s self in the field Introduces imaginative rigor to ethnographic research to heighten confidence in anthropological knowledge