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Representations of political power play an important role in Western art history from the late Middle Ages up to modern times. This volume by leading experts is a wide-ranging survey of significant trends in the development of political imagery.
A new collection explores the complex role of visual representation in science.
How did the classical tradition survive on the North Sea shores? This richly illustrated book explores the interplay between art and erudition in the seventeenth century. It analyses the sources, editions, and reception of Franciscus Junius’s writings to chart how ideas about Northern European painting, from Van Dyck to Rembrandt, developed as a counterweight to the Italian tradition. Thus the language of art in Junius’s The Painting of the Ancients appears to be related to his seminal work in the field of Germanic linguistics and his discovery of the shared pre-Christian civilization of Holland and England. Junius’s innovative pairing of scholarship to the painter’s practice illuminates the reception of antiquity and the creation of an Anglo-Dutch artistic Arcadia.
Meredith M. Hale presents the first chapter in the history of modern political satire, one that is critical to the media's emergence as the 'fourth estate'. Discussing themes relevant today, the study locates Dutch printmaker Romeyn de Hooghe (1645-1708) at the birth of modern political satire, and political satire at the heart of the modern media.
Focusing on what he calls 'the performative gaze', the author explores the artistic world of the Urbino painter Federico Barocci (1535-1612) in the context of Renaissance culture. Through analysis of Barocci's works, Gillgren also sheds new light on Renaissance aesthetic communication generally. The first part of the book discusses the poetics of Early Modern painting, based on contemporary theories of Reception Aesthetics, hermeneutics and phenomenology, but grounded in Renaissance culture itself through numerous examples from Early Modern painting. The author discusses works by such artists as Botticelli, Raphael, Titian, Vel?uez and Poussin from the point of view of their spectator status...
Image-transforming techniques such as close-up, time lapse, and layering are generally associated with the age of photography, but as Florike Egmond shows in this book, they were already being used half a millennium ago. Exploring the world of natural history drawings from the Renaissance, Eye for Detail shows how the function of identification led to image manipulation techniques that will look uncannily familiar to the modern viewer. Egmond shows how the format of images in nature studies changed dramatically during the Renaissance period, as high-definition naturalistic representation became the rule during a robust output of plant and animal drawings. She examines what visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and she focuses on how attention to visual detail was motivated by an overriding question: the secret of the origins of life. Beautifully and precisely illustrated throughout, this volume serves as an arresting guide to the massive European collections of nature drawings and an absorbing study of natural history art of the sixteenth century.
Annotation. In six years, Galileo Galilei went from being a mathematics professor to a star in the court of Florence to a target of the Inquisition. And during that time, Galileo made a series of astronomical discoveries that reshaped the ideas of the physical nature of the heavens and transformed him from a university mathematician into a court philosopher. Galileo's Instruments of Creditproposes radical new interpretations of key episodes of Galileo's career, including his telescopic discoveries of 1610, the dispute over sunspots, and the conflict with the Holy Office over the relationship between Copernicanism and Scripture. Galileo's tactics shifted as rapidly as his circumstances, argue...
How does a ruler become "the Great"? Is greatness a part of authority exercised or a part of an image created? These and other questions are addressed in this volume on the life and memory of Grand Duke Vytautas of Lithuania (r.1392-1430). The study raises a hypothesis that Vytautas was the main engineer of his image as the great ruler while his contemporaries and later generations developed this image and adapted it to their needs and understandings. Investigating the propaganda surrounding the grand duke, this study reveals that, in fact, there were two opposite images: that of a good ruler and that of a tyrant. The paradox is that frequently these opposites were based on the same features of the grand duke's character or episodes from his biography. The research is based on a wide array of written and visual sources as well as on records of oral tradition. Rich and diverse primary materials are analysed from the perspectives of political and social history, memorial culture, as well as iconography and rhetoric.
In the seventeenth century, riots, rebellions, and revolts flared around Europe. Concerned about their internal stability, many states responded by closely observing the violent upheavals that plagued their neighbors. Rebellion and Diplomacy in Early Modern Europe investigates how in this struggle for intelligence about internal discord, diplomats emerged as key information brokers and interpreters of Europe’s tumultuous political landscape. The contributions in this volume uncover how diplomatic actors interacted with rulers, opposition leaders, informers, media entrepreneurs, and different audiences in their efforts to understand, communicate, and draw lessons from the insurrections in their time. Rebellion and Diplomacy also examines how diplomats actively tried to shape the course of internal conflicts by managing the dissemination of news, supporting political factions at their court of residence, and even instigating violence. Covering different European regions from the Iberian Peninsula to Scandinavia and from the British Isles to the Carpathian Basin, the book will appeal to all students and researchers interested in early modern diplomacy, politics, and news cultures.