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Peregrina
In the Yucatán, they never forgot Alma Reed. She arrived for the first time in 1923, on assignment for the New York Times Sunday Magazine to cover an archaeological survey of Mayan ruins. It was a contemporary Maya, however, who stole her heart. Felipe Carrillo Puerto, said to be descended from Mayan kings, had recently been elected governor of the Yucatán on a platform emphasizing egalitarian reforms and indigenous rights. The entrenched aristocracy was enraged; Reed was infatuated—as was Carrillo Puerto. He and Reed were engaged within months. Yet less than a year later—only eleven days before their intended wedding—Carrillo Puerto was assassinated. He had earned his place in the h...
Orozco
Personal account of the Mexican painter, written by an intimate friend during his many years in New York. 16 plates include a portrait of the artist.
Legendary Locals of Eunice
Long before C.C. Duson--realtor, sheriff, and state senator--established his town on the Louisiana prairie, Cajuns, Europeans, and Native Americans had forged homes on the isolated site. Then in 1894, Duson's city auction enabled numerous ethnic groups to buy lots in the new town. Railroad construction brought Anglo, African-American, and Irish laborers, while Lebanese and Jewish merchants saw retail opportunities in Eunice. Fearful of war rumors in Europe prior to 1914, German families immigrated to prairie farms. In 1929, Italians arrived as the Mississippi River's flooding disrupted their lives. By the 1930s, the Tepetate oil field was discovered south of Eunice, creating fortunes for Anglo workers. Men from nearby World War II military bases often settled in Eunice after marrying local girls. Eunice saw new arrivals as petrochemical plants and pipelines began construction in the 1950s. The diverse traditions of newcomers blended with the dominant Cajun culture, resulting in the rich gumbo of citizens' lives. Legendary Locals of Eunice celebrates some individuals who have contributed to the vibrant and diverse culture of Eunice through the years.
Eunice
"Beginning as a real estate venture on the isolated prairie of southwestern Louisiana in 1894, Eunice is now a progressive small city due to its traditions of volunteerism, community spirit, and resourcefulness. In the late 1980s, the city enjoyed a renaissance when a far-sighted mayor capitalized on the dominant Cajun culture to pull Eunice out of the economic crevasse of the decade's "oil bust." It emerged as a picturesque community with an emphasis on its rich history and its newly recognized heritage tourism. The city's unique Frenchness lures tourists and locals to the live Cajun music shows at the Liberty Center and to experience the joie de vivre at a rural Mardi Gras. The historic images found in Images of America: Eunice feature the day-to-day activities of Eunice's people through good times and lean days from 1894 to the late 1980s." --Publisher's description.
Moving from Within
A master dance teacher describes her method for teaching creative movement and choreography ; discusses creativity and how dance performance has been influenced by the other arts. Includes exercises for dancers.
José Clemente Orozco
The artistic eminence of José Clemente Orozco (1883–1949) is such that he has been called “the greatest painter the Americas have produced.” In his Autobiography he also attains literary distinction. He is a writer who recounts the history of his period from a personal point of view and yet scarcely mentions himself. He is an observer who writes about the history of his country and of his country’s art, yet makes his own character implicit in the narrative. The character that emerges is charming. It is that of a man strong but retiring, sharply critical of what he disapproves yet generous in praise of what he admires, decided in his views but modest in his assumptions and given to u...
Autobiographical Writings on Mexico
This is the definitive bibliography of autobiographical writings on Mexico. The book incorporates works by Mexicans and foreigners, with authors ranging from disinherited peasants, women, servants and revolutionaries to more famous painters, writers, singers, journalists and politicians. Primary sources of historic and artistic value, the writings listed provide multiple perspectives on Mexico's past and give clues to a national Mexican identity. This work presents 1,850 entries, including autobiographies, memoirs, collections of letters, diaries, oral autobiographies, interviews, and autobiographical novels and essays. Over 1,500 entries list works from native-born Mexicans written between 1691 and 2003. Entries include basic bibliographical data, genre, author's life dates, narrative dates, available translations into English, and annotation. The bibliography is indexed by author, title and subject, and appendices provide a chronological listing of works and a list of selected outstanding autobiographies.
The Hunger
"Deeply, deeply disturbing, hard to put down, not recommended reading after dark." --Stephen King A tense and gripping reimagining of one of America's most haunting human disasters: the Donner Party with a supernatural twist. Evil is invisible, and it is everywhere. That is the only way to explain the series of misfortunes that have plagued the wagon train known as the Donner Party. Depleted rations, bitter quarrels, and the mysterious death of a little boy have driven the isolated travelers to the brink of madness. Though they dream of what awaits them in the West, long-buried secrets begin to emerge, and dissent among them escalates to the point of murder and chaos, unknowingly propelling ...
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Early Printed Books as Material Objects
The papers collected in this volume discuss descriptive methods and present conclusions relevant for the history of the book production and reception. Books printed in Europe in the 15th and 16th century still had much in common with manuscripts. They are not mere textual sources, but also material objects whose physical make-up and individual features need to be taken into account in library projects for cataloguing and digitization.
