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The Hammon and the Beans And Other Stories
  • Language: en
  • Pages: 288

The Hammon and the Beans And Other Stories

The culture conflict that dominated the border region during the time of TexasÍ transition away from Mexican political status and culture to that of the United States is the main inspiration for these stories. Here are tales of revolutionaries and guerrilla warriors refracted obliquely quite often through the eyes of children who are directly affected in their schools and families by the political environment. As the title story indicates, there is an ongoing battle within these pages between the Mexican past and the American future; it is not only a tale of the struggle for cultural survival, as one language confronts the other, as land tenancy shifts, as new systems of law and economic or...

Cantos de adolescencia
  • Language: en
  • Pages: 308

Cantos de adolescencia

"Stop, Time, your fast race; /turn back to my lost infancy." With the final poem of this collection, "Upon Turning Twenty One," famed Chicano folklorist Americo Paredes closes a chapter in his life--one written during his formative years from 1932 to 1937--as he grew from a seventeen-year-old boy to a twenty-one year old man. In doing so, the renowned writer looks "toward the unknown future maze." Originally published in 1937 by Libreria Espanola in San Antonio, Texas, this new edition contains the first-ever English translations of the original Spanish poems and an introduction by the translators, scholars and poets in their own right, B. V. Olguin and Omar Vasquez Barbosa. Paredes, who die...

The Shadow
  • Language: en
  • Pages: 132

The Shadow

Antonio Cuitla has a date with destiny. But itÕs not the showdown he expects. The once fierce revolutionary now must find his way in the modern world Ð a world he helped to create by overthrowing the old social order. The subtleties of class warfare, of honor and betrayal, all seem beyond the reach of this tragic heroÕs understanding. Is AntonioÕs showdown with a would-be assassin, the cunning aristocrat Don JosŽ, or with Death itself? In this novel of taut suspense and psychological conflict, AmŽrico Paredes presents a poetic and engrossing paradox of Latin American life: The caudillo was defined by revolutionary struggle; how does he make the transition to civic life and society-building after the revolution is over? In Antonio Cuitla and the hacendado Don JosŽ Mar’a, Paredes has summarized the clashing forces that have characterized Mexican culture since the Spanish Conquest: the native versus European worldview; superstition versus rationalism; the hungry masses versus the privileged few. This confrontation is the stuff of which folk legend and song are made. Antonio Cuitla is the heroic warrior of times past. But can he survive in the modern world?

George Washington Gómez
  • Language: en
  • Pages: 308

George Washington Gómez

In the 1930s, Américo Paredes, the renowned folklorist, wrote a novel set to the background of the struggles of Texas Mexicans to preserve their property, culture and identity in the face of Anglo-American migration to and growing dominance over the Rio Grande Valley. Episodes of guerilla warfare, land grabs, racism, jingoism, and abuses by the Texas Rangers make this an adventure novel as well as one of reflection on the making of modern day Texas. George Washington GÑmez is a true precursor of the modern Chicano novel.

American Studies International
  • Language: en
  • Pages: 524

American Studies International

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

The Johns Hopkins University Circular
  • Language: en
  • Pages: 72

The Johns Hopkins University Circular

  • Type: Book
  • -
  • Published: 1936
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  • Publisher: Unknown

Includes University catalogues, President's report, Financial report, registers, announcement material, etc.

Américo Paredes
  • Language: en
  • Pages: 217

Américo Paredes

Américo Paredes (1915-1999) was a folklorist, scholar, and professor at the University of Texas at Austin who is widely acknowledged as one of the founding scholars of Chicano Studies. Born in Brownsville, Texas, along the southern U.S.-Mexico Border, Paredes’ early experiences impacted his writing during his later years as an academic. He grew up between two worlds—one written about in books, the other sung about in ballads and narrated in folktales. He attended a school system that emphasized conformity and Anglo values in a town whose population was 70 percent Mexican in origin. During World War II, he worked for the International American Red Cross and wrote for the Stars and Stripe...

Catalogue and Announcements for ...
  • Language: en
  • Pages: 94

Catalogue and Announcements for ...

  • Type: Book
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  • Published: 1932
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  • Publisher: Unknown

None

Folklore and Culture on the Texas-Mexican Border
  • Language: en
  • Pages: 328

Folklore and Culture on the Texas-Mexican Border

In an illustrious career spanning over forty years, Américo Paredes has often set the standard for scholarship and writing in folklore and Chicano studies. In folklore, he has been in the vanguard of important theoretical and methodological movements. In Chicano studies, he stands as one of the premier exponents. Paredes's books are widely known and easily available, but his scholarly articles are not so familiar or accessible. To bring them to a wider readership, Richard Bauman has selected eleven essays that eloquently represent the range and excellence of Paredes's work. The hardcover edition of Folklore and Culture was published in 1993. This paperback edition will make the book more accessible to the general public and more practical for classroom use.

Ends of Assimilation
  • Language: en
  • Pages: 289

Ends of Assimilation

  • Type: Book
  • -
  • Published: 2015
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  • Publisher: Unknown

Ends of Assimilation examines how Chicano literature imagines the conditions and costs of cultural change, arguing that its thematic preoccupation with assimilation illuminates the function of literature. John Alba Cutler shows how mid-century sociologists advanced a model of assimilation that ignored the interlinking of race, gender, and sexuality and characterized American culture as homogeneous, stable, and exceptional. He demonstrates how Chicano literary works from the postwar period to the present understand culture as dynamic and self-consciously promote literature as a medium for influencing the direction of cultural change. With original analyses of works by canonical and noncanonical writers--from Am rico Paredes, Sandra Cisneros, and Jimmy Santiago Baca to Estela Portillo Trambley, Alfredo V a, and Patricia Santana--Ends of Assimilation demands that we reevaluate assimilation, literature, and the very language we use to talk about culture.