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'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Stratigraphy, a branch of geology, is the science of describing the vertical and lateral relationships of different rock formations formed through time to understand the earth history. These relationships may be based on lithologic properties (named lithostratigraphy), fossil content (labeled biostratigraphy), magnetic properties (called magnetostratigraphy), chemical features (named chemostratigraphy), reflection seismology (named seismic stratigraphy), age relations (called chronostratigraphy). Also, it refers to archaeological deposits called archaeological stratigraphy. Stratigraphy is built on the concept "the present is the key to the past" which was first outlined by James Hutton in the late 1700s and developed by Charles Lyell in the early 1800s. This book focuses particularly on application of geophysical methods in stratigraphic investigations and stratigraphic analysis of layered basin deposits from different geologic settings and present continental areas extending from Mexico region (north America) through Alpine belt including Italy, Greece, Iraq to Russia (northern Asia).
The Old South lives on at the MacGregor Plantation - in the breeze, in the cotton fields... and in the crack of the whip. Nothing is as it seems, and yet everything is as it seems. Jeremy O. Harris's Slave Play rips apart history to shed new light on the nexus of race, gender and sexuality in twenty-first-century America. It opened at New York Theatre Workshop in November 2018, and transferred to Broadway the following year. This edition is published alongside the West End production in 2024. 'How to explain Harris? He is like Tennessee Williams, if Williams had been Prince. Or Truman Capote, if Capote had been Paradise Garage. He is a firebrand writer with whipcrack humour. He has two brilliant plays under his belt, Slave Play and Daddy. He is such a queer hero of our times that the New York neighbourhood he lives in has become fleetingly famous. One of Jeremy O. Harris's plays coming to London is a major event' Evening Standard
"Directorio regional de instituciones y unidades que realizan investigación y desarrollo en los estados de Aguascalientes, Colima, Guanajuato, Guerrero, Jalisco, Michoacán, Nayarit, Sinaloa y Zacatecas"--P.4 of cover.
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