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Amalia Amaki
Retrospective mixed-media exhibition featuring photographs, quilts, souvenir fans, and digitally manipulated photographs, incorporating fabric, beads, pearls, buttons, paint, found objects, and glitter.
Hale Woodruff, Nancy Elizabeth Prophet, and the Academy
African American artists Hale Woodruff and Nancy Elizabeth Prophet both worked in Paris before they become colleagues in Atlanta. When Woodruff began teaching drawing and painting at Atlanta University in 1931 he opened a new era of art instruction. After Prophet arrived to teach sculpture in 1934, the art offerings expanded exponentially. By the mid-1930s, the Coordinated Art Program at Atlanta University Center was the place in the southeast for African Americans to study art. This generously illustrated book considers the artists' lives and their impact as teachers and mentors. Hale Woodruff (1900-1980) was born in Cairo, Illinois. After briefly attending the Herron Art School and the Art...
A Century of African American Art
Ten essays that examine four key issues in American art--portraiture and realism in relation to abstract expressionism, the implications of color, the role of narrative, and the concept of multiple originals--come together in this resource on the works of African-American art included in the Paul R. Jones collection. Simultaneous.
Tuscaloosa
In the 1960s, Tuscaloosa drew national attention when the University of Alabama was fully integrated. The decade also marked the arrival of Paul "Bear" Bryant as head coach of Alabama's football team and the majority of Frank Anthony Rose's tenure as president--a period characterized by race mediation and increases in enrollment, assets, and academic standards. For the next 50 years, sports, education, cultural and recreational opportunities, and business developments contributed to the city and the lifestyles of its residents. Tuscaloosa has associations with people such as F. David Mathews (who concurrently served as president of Alabama and as a secretary under Pres. Gerald Ford), writer Richard Yates (Revolutionary Road), actress Sela Ward, and quarterback Joe Namath.
A Century of African American Art
Ten essays that examine four key issues in American art--portraiture and realism in relation to abstract expressionism, the implications of color, the role of narrative, and the concept of multiple originals--come together in this resource on the works of African-American art included in the Paul R. Jones collection. Simultaneous.
Teaching Public History Creatively in Alabama
This book chronicles a University of Alabama historian’s efforts to engage public history over the course of a decade, highlighting personal and educational experiences inside and outside of the classroom. Each chapter reveals how Sharony Green, her students, and collaborators used various public places and spaces in Alabama, including the University of Alabama and Tuscaloosa, where she teaches, as “labs” to learn more about our shared past. Inspired by her familiar beginnings in a historic community in Miami, Florida, the author, a descendant of people from the American South and the Bahamas, unveils her encounters with the built environment, old documents and objects, motion pictures...
Tuskegee
Tuskegee, Alabama, is associated with Tuskegee University, the Tuskegee Airmen, Booker T. Washington, and George Washington Carver. Named after the Taskigi, it is the site of the first law school in Alabama and had local schools long before there was a public school system. Tuskegee Normal School for Colored Teachers (now Tuskegee University) was pivotal to the city being a beacon of African American achievement for a century. The birthplace of civil rights icon Rosa Parks, radio host Tom Joyner, and singer Lionel Richie, it is where Olympic star Alice Coachman was dubbed the "Tuskegee Flash" and where important court cases guaranteeing voting rights and equal education were fought. The city was also the site of the infamous medical experiment that threatened to stain the school's triumphant legacy.
Shot in Alabama
A sumptuously illustrated history of photography as practiced in the state from 1839 to 1941 offering a unique account of the birth and development of a significant documentary and artistic medium
Southern/Modern
Inspired by a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South—until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists ...
Without Regard to Sex, Race, or Color
This gathering of sixty images, along with the essays that frame them, gives us a new way to think about the too often troubled status of historically black colleges and universities (HBCUs). The bell in the clock tower at Atlanta’s Morris Brown College bears an inscription about the ideal of educational access, that it be “without regard to sex, race, or color.” Yet most of the Morris Brown campus has lain silent for more than a decade. Established in 1881, it was all but shut down in 2002 after years of fiscal hardship were capped by a mismanagement scandal. Pride still runs high among its alumni, however, and its current leadership vows to revive the school. Meanwhile, as Andrew Fei...
