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Years, Months, and Days
A NEW YORK TIMES BEST POETRY BOOK OF 2018 A transfiguration of Mennonite hymns into heartbreaking lyric poems, Years, Months, and Days is a moving “meditation on the possibility of translation.” Bridging secular spirituality and holy reverence with the commonalities of life, death, love, and hope, Jernigan explores the connection between hymn and poem, recalling the spare beauty of Marilynne Robinson’s novels or the poems of Jan Zwicky and Robert Bringhurst. The sparse and tender phrasing of Years, Months, and Days is “an offering of words to music,” made in the spirit of a shared love—for life, for a particular landscape and its rhythms—that animates poem and prayer alike.
Groundwork
Groundwork heralds an important new poetic voice, stock to buy early and hold.
How to Expect what You're Not Expecting
Winner of a 2015 Independent Publisher Book Awards Bronze Medal One size fits all does not apply to pregnancy and childbirth. Each one is different, unique, and comes with its share of pleasure and pain. But how does one prepare for an unexpected loss of a pregnancy or hoped-for baby? In How to Expect What You're Not Expecting, writers share their true stories of miscarriage, stillbirth, infertility, and other, related losses. This literary anthology picks up where some pregnancy books end and offers diverse, honest, and moving essays that can prepare and guide women and their families for when the unforeseen happens. Contributors include Chris Arthur, Kim Aubrey, Janet Baker, Yvonne Blomer,...
Strike Anywhere
"I’d like to think that I’m polarizing the way a battery is," explains Michael Lista in his introduction to Strike Anywhere, "energizing the flashlight by which you read in the dark only because it has a negative and a positive side. Collected here, under one cover, are my cathodes and my anodes." In his self-described ‘arsons’, Lista assesses with equal fire our literary darlings (Anne Carson, Don McKay), talented veterans (Steven Heighton, David McGimpsey) and promising newcomers (Stevie Howell, Aisha Sasha John) of the poetic genre. He depicts a literary institution pathologically averse to the sustenance of a traditional repertoire and addicted to the empty calories of poetic exp...
The Pigheaded Soul
The Pigheaded Soul presents a series of witty, intelligent, and sometimes controversial essays in which talented newcomers and avowed masters alike find themselves within the literary crosshairs of acclaimed poet and critic Jason Guriel. Guriel does not shy away from the negative review, nor does he begrudge praise where praise is due. He applauds the innovative and evocative, rails against the lazy and the imprecise, and critiques the ‘hipster’ mentality of so-called avant-gardists who use the same tired tricks as shortcuts to perceived innovation. But far from providing only reviews and critical readings, The Pigheaded Soul serves up amusing insider anecdotes about the poetry community, from intelligent examinations of inspiration and imagination, to gonzo reportage of high-profile – and occasionally absurd – literary events. Wry, engaging, and astute, Guriel writes with a confidence and panache that enlivens the often dry and dusty field of literary criticism.
Drawing on Type
Drawing on Type is the life-story of one of Canada's more colourful book-world characters -- Frank Newfeld, designer, illustrator and storyteller extraordinaire. It is a wide-ranging account, beginning with Newfeld's youth in England during the Second World War and leading to his involvement in the book trade in Canada. Eventually becoming Art Director, and subsequently, Vice-President of Publishing at McClelland & Stewart, he went on to co-found the Society of Typographic Designers of Canada (now the Graphic Designers of Canada), and to run the illustration program at Sheridan College. Newfeld pulls no punches: he is critical of a college system that infantalizes its students; of childrens'-book illustrators that insult young readers' intelligence; of authors, artists, designers and editors who condescend to their collaborators. Yet he is as unflinching in his evaluations of himself as he is in his evaluations of others, for Drawing on Type is also a reckoning of self.
You Are Here
Northrop Frye wrote that for Canadian poets the question of identity isn't so much `Who am I?' as `Where is here?' In his ground-breaking collection of essays, You Are Here, James Pollock gives his answer: that where we are as a literary culture has a great deal to do with our relationship to elsewhere. For far too long, Canadians have refused to read our poetry in the larger international context of poetry as an art, leaving our poets isolated and ignored. Pollock sets out to situate our verse on the map of world poetry – a map which, like one of those incomplete globes from the sixteenth century, still leaves Canada largely uncharted. Acutely intelligent and unflinchingly honest in its judgements, You Are Here is an eye-opening guide to the new world of Canadian poetry, sensitively exploring the work of such poets as Anne Carson, Daryl Hine, Jeffery Donaldson, Karen Solie and Eric Ormsby. The collection ends with a witty treatise on good criticism, and a passionate and learned reconsideration of poetic values, making You Are Here an essential companion for students and lovers of Canadian poetry everywhere.
Heritage in Quilts
"Our goal would be to collect pictures and stories about the quilts and coverlets owned by members of the TSDAR."--p.3.
Divided
"From fireflies to the use of feathers to adorn hats, Linda Frank looks deeply into humanity's interactions with the animal world, considering both our fascination with and fear of it, and our exploitation of all species. These poems investigate the fearsomeness of nature, cataloguing its shimmering beauty in crisp lines before showing the uncompromising endings. Nabokov's butterflies live on beside flea circuses while the habits of the jewel wasp are detailed along with the end of tadpoles captured by a child. This is a collection written with a botanist's eye and a scientist's attention to cause and effect, both a lament and paean to a world that is vanishing."--
The New Quarterly
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