Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cold War American Exhibitions of Italian Art and Design
Enriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950–53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after World War II (WWII). Moving beyond previous studies, this book looks to the archival sources and beyond the history of design for a greater understanding of the stakes of the show. First, the book considers art’s role in this exhibition’s import—prominent mid-century sculptors like Giacomo Manzù, Fausto Melotti, and Lucio Fontana were included. Second, it foregrounds the particular role sculpture was able to play in transcending the bounda...
America's Cool Modernism
This catalogue looks at a current in interwar American art that is relatively unknown. The familiar story of America in the 'roaring Twenties' is that of 'The Great Gatsby', the Harlem Renaissance, and the Machine Age; while the 1930s are known as the Steinbeckian world marked by the Depression and the New Deal. This exhibition focuses on the artists who grappled with the experience of modern America with a cool, controlled detachment, almost completely eliminating people from their pictures. For some artists this treatment reflected an ambivalence and anxiety about the modern world. Factories without workers and streets without people. Factories without workers and streets without people co...
Reclaiming and Redefining American Exhibitions of Russian Art
This book examines the history of American exhibitions of Russian art in the twentieth century in the context of the Cold War. Because this history reflects changes in museological theory and the role of governments in facilitating or preventing intercultural cooperation, it uncovers a story that is far more complex than a chronological listing of exhibition names and art works. Roann Barris considers questions of stylistic appropriations and influences and the role of museum exhibitions in promoting international and artistic exchanges. Barris reveals that Soviet and American exchanges in the world of art were extensive and persistent despite political disagreements before, during, and after the Cold War. It also reveals that these early exhibitions communicated contradictory and historically invalid pictures of the Russian or Soviet avant-garde. The book will be of interest to scholars working in art history, museum studies, and Russian studies.
Business America
Includes articles on international business opportunities.
Theatre Culture in America, 1825-1860
A study of pre-Civil War American theatre.
Coca-Cola Socialism
This book is about the Americanization of Yugoslav culture and everyday life during the nineteen-sixties. After falling out with the Eastern bloc, Tito turned to the United States for support and inspiration. In the political sphere the distance between the two countries was carefully maintained, yet in the realms of culture and consumption the Yugoslav regime was definitely much more receptive to the American model. For Titoist Yugoslavia this tactic turned out to be beneficial, stabilising the regime internally and providing an image of openness in foreign policy. Coca-Cola Socialism addresses the link between cultural diplomacy, culture, consumer society and politics. Its main argument is...
Esteban Vicente
Esteban Vicente is the first book devoted to the life and work of the distinguished Spanish-born painter who, at age ninety-two, remains the only one of the original Abstract Expressionists still working at the peak of his powers. His luminous paintings and collages acknowledge the great Spanish tradition of Velazquez and Goya while simultaneously exploring the legacy of such modernist masters as Cezanne, Picasso, Mondrian, and Matisse. This magnificent volume reproduces all of Vicente's most important works from nearly a half century of constant evolution between cycles of austere painterly classicism and a passionate, explosive baroque. Oversize plates, including 84 in full color, present Vicente's paintings, collages, and drawings, capturing his rich, brilliant palette, elegant compositions, economy of means, and passionate clarity of feeling. Esteban Vicente is further enriched by extensive quotations from the artist's writings and interviews; rare documentary photographs; a chronology; lists of solo and group exhibitions and public collections; bibliography; and index. 89 colour & 48 b/w illustrations
