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They were inseparable - until the day they jumped. Ruth, saved by safety nets, leaves the city. Kari, saved by a sewer, crawls back into the fray of living. With Angel, Lazarus, and the girls of Crystal Palace forming the chorus to her song, she explores the dark heart of smog city - loneliness, sewers, sleeper success, death - and the memory of her absentee Other. Sensuously illustrated and livened by wry commentaries on life and love, Kari gives a new voice to graphic fiction in India.
Adi Parva is a graphic novel based on the Mahabharat and the oral tradition of ancient India.Adi Parva draws from the classic Sanskrit epic, the Mahabharat, and the Vishnu Purana. In it, the celestial river Ganga narrates the events from the beginning of time. The story is played out by a medley of characters ranging from gods to sages, queens to seers, hermits to seductresses and kings to warriors as they come together in this graphic retelling of Hindu mythology. This epic graphic novel depicts timeless events such as the churning of the sea, the snake sacrifice of Janmejaya and the first time the queen Gandhari wears a blindfold. The book combines breath-taking art with classic storytelling to paint the picture of a tale which has inspired and guided several hundred generations of people throughout the history of India.
Chiefly on Hindu mythology and Vedic concepts.
Sauptik: Blood and Flowers is a revisionist retelling of some of our oldest tales which have inspired and guided generations of people. The sequel to Adi Parva, which was chosen as one of 2012's Best Graphic Novels by comic book historian Paul Gravett, this book combines breath-taking art with classic storytelling. Based on the Mahabharata, the Puranas and the tradition of oral storytellers, Sauptik is also very contemporary. The narrative, with its lush visuals, emphasizes, over and over, our forgotten connection with the soil, with rivers, with forests, with fire. In book one, Adi Parva: Churning of the Ocean, the celestial river Ganga narrates events from the beginning of time and in its sequel, Sauptik: Blood and Flowers, Ashwatthama carries the story forward after surviving the Kurukshetra battle.
Be transported into dystopian cities and alternate universes. Hang out with unicorns, cyborgs and pixies. Learn how to waltz in outer space. Be amazed and beguiled by a fairy tale with an unexpected twist, a futuristic take on a TV cooking show, and a playscript with tentacles. In other words, get ready for a wild ride! This collection of sci-fi and fantasy writing, including six graphic stories, showcases twenty of the most exciting writers and artists from India and Australia, in an all-female, all-star line-up! Published by Zubaan.
In the heart of Lutyens' Delhi sits Jehangir Rangoonwalla, enlightened dispenser of tea, wisdom, and second-hand books. Among his customers are Brighu, a postmodern Ibn Batuta looking for obscure collectibles and a love life; Digital Dutta who lives mostly in his head, torn between Karl Marx and an H1-B visa; and the newly-married Shintu, looking for the ultimate aphrodisiac in the seedy by-lanes of old Delhi. Played out in the corridors of Connaught Place and Calcutta, the story captures the alienation and fragmented reality of urban life through an imaginative alchemy of text and image.
This book is a detailed study of the Indian graphic novel as a significant category of South Asian literature. It focuses on the genre’s engagement with history, memory and cultural identity and its critique of the nation in the form of dissident histories and satire. Deploying a nuanced theoretical framework, the volume closely examines major texts such as The Harappa Files, Delhi Calm, Kari, Bhimayana, Gardener in the Wasteland, Pao Anthology, and authors and illustrators including Sarnath Banerjee, Vishwajyoti Ghosh, Durgabai Vyam, Amrutha Patil, Srividya Natarajan and others. It also explores — using key illustrations from the texts — critical themes like contested and alternate histories, urban realities, social exclusion, contemporary politics, and identity politics. A major intervention in Indian writing in English, this volume will be of great importance to scholars and researchers of South Asian literature, cultural studies, art and visual culture, and sociology.
"Drawing the Line: Indian Women Fight Back!" is a comics anthology by 14 women of their day-to-day experiences in India. Produced out of a week-long workshop with Indian women artists, both amateur and professional, Drawing the Line is part of a larger national conversation in India around sexual discrimination that emerged in the aftermath of the brutal gang-rape and murder of a young medical student in 2012. First published in cooperation with feminist Indian publisher Zubaan Books and the Goethe Institute, Ad Astra Comix is pleased to bring "Drawing the Line" to a North American readership, reminding us that feminism must be intersectional and global in its approach.
Set in 18th century Calcutta, the second city of the Empire is teeming with scandalous gossip and rumour. Abravanel Ben Obadiah Ben Aharon Kabariti, Sephardic Jew from Syria and trader in novelties, befriends the British officers and the local elite by day and records their escapades at night.
Visually amazing, this critical history of comic books, manga, and graphic novels is a must-have for any comic buff or collector. Over the centuries, comic books and their offshoots, such as graphic novels, manga, and bandes dessinées, have evolved into a phenomenally popular, influential, and unique art form with which we can express our opinions, our fantasies, our nightmares, and our dreams. In short: comics are emphatically no longer just for kids. This diverse, constantly evolving medium is truly coming into its own in the 21st century, from Hollywood's blockbuster adaptations of super-powered caped crusaders to the global spread of Japan's manga and its spinoffs, and from award-winnin...