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Grotesque Touch
In this book, Amy K. King examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Analyzing films, television shows, novels, short stories, poems, book covers, and paintings, King shows how contemporary media reuse salacious and stereotypical depictions of relationships between women living within the plantation system to confront its legacy in the present. The vestiges of these relationships--enslavers and enslaved women, employers and domestic servants, lovers and rivals--negate characters' efforts to imagine non-abusive approaches to power and agency. King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in U.S. and Caribbean depictions of violence between women in the wake of slavery.
The Year We Fell From Space (Scholastic Gold)
The deeply affecting next book from acclaimed author Amy Sarig King. Liberty Johansen is going to change the way we look at the night sky. Most people see the old constellations, the things they've been told to see. But Liberty sees new patterns, pictures, and possibilities. She's an exception. Some other exceptions:Her dad, who gave her the stars. Who moved out months ago and hasn't talked to her since.Her mom, who's happier since he left, even though everyone thinks she should be sad and lonely.And her sister, who won't go outside their house. Liberty feels like her whole world is falling from space. Can she map a new life for herself and her family before they spin too far out of reach?
I Want to Make You Safe
Poetry. LGBT Studies. Amy King's poems seem to encompass all that we think of as the 'natural' world, i.e., sex, sun, love, rotting, hatching, dreaming, especially in the wonderful long poem 'This Opera of Peace.' She brings these abstractions to brilliant, jagged life, emerging into rather than out of the busyness of living: 'Let the walls bear up the angle of the floor, / Let the mice be tragic for all that is caged, / Let time's contagion mar us / until spoken people lie as particles of wind'.--John Ashbery 'Rarely have the nude and the cooked been so neatly joined' as in Amy King's I WANT TO MAKE YOU SAFE. If 'us, ' 'herons, ' and 'dust' rhyme, then these poems rhyme. If that makes you f...
Me and Marvin Gardens (Scholastic Gold)
The first middle-grade novel from YA superstar Amy Sarig (A. S.) King is a boy-and-his-pet story like no other. The first middle-grade novel from Printz Honor-winning author Amy Sarig (A. S.) King!Washington Post Best Book of the YearA New York Public Library Best Book for KidsA Texas Bluebonnet Master List selectionObe Devlin has problems. His family's farmland has been taken over by developers. His best friend Tommy has abandoned him. And he keeps getting nosebleeds, because of that thing he doesn't like to talk about. So Obe hangs out at the nearby creek, in the last wild patch left, picking up trash and looking for animal tracks.One day, he sees a creature that looks kind of like a large dog. And as he watches it, he realizes it eats plastic. Only plastic. Water bottles, shopping bags... No one has seen a creature like this before. The animal--Marvin Gardens--becomes Obe's best friend and biggest secret. But to keep him safe from the developers and Tommy and his friends, Obe must make a decision that might change everything.
Painter to the King
This is a portrait of Diego Velzquez, from his arrival at the court of King Philip IV of Spain, to his death 38 years and scores of paintings later. It is a portrait of a relationship that is not quite a friendship, between an artist and his subject. It is a portrait of a ruler, always on duty, and increasingly burdened by a life of public expectation and repeated private grief. And it is a portrait of a court collapsing under the weight of its own excess. Unfolding through series of masterly set-pieces and glancing sketches, this is a novel of brilliance, imagination and sheer style -- about what is shown and what is seen, about art and life.
The York King
1464. Family conflicts, Lancaster against York, the fight for the English throne continues. Set during the Wars of the Roses, this is the second volume in the House of York trilogy.
The Missing Museum
Poetry. Women's Studies. LGBT Studies. Nothing that is complicated may ever be simplified, but rather catalogued, cherished, exposed. THE MISSING MUSEUM spans art, physics & the spiritual, including poems that converse with the sublime and ethereal. They act through ekphrasis, apostrophe & alchemical conjuring. They amass, pile, and occasionally flatten as matter is beaten into text. Here is a kind of directory of the world as it rushes into extinction, in order to preserve and transform it at once.
I'm the Man who Loves You
Poetry. Amy King's mercurial poems capture the instability of cultural, sexual, and poetic identity. In the circuitry of her illuminated, incongruous, but somehow perfectly apt details, 'the alien befits us.' With a nod to Gertrude Stein and Fernando Pessoa, as well as cameos by Frida Kahlo, Maya Deren, and Claude Cahun, Amy celebrates 'the roles' of women even as she redefines them, telling us: 'I put on my long black dream/to live among my female brothers.' Playful, provocative, and frenetically lyrical, this is metamorphic poetry for our times--Elaine Equi. 'We are not / a great many things, while in fact we are the functions / of those things, and without them, / we are less and more than ever.' You see, there's an underbelly that needs to be got to, and I'M THE MAN WHO LOVES YOU is all about it. Each detail in an Amy King poem seems a world in itself. & it's not like you've never seen details like these. & it's not like you have either--Rod Smith.
Killing Current
poetry, experimental, contemporary
The Still Point
At the turn of the twentieth century, Arctic explorer Edward Mackley sets out to reach the North Pole and vanishes into the icy landscape without a trace. He leaves behind a young wife, Emily, who awaits his return for decades, her dreams and devotion gradually freezing into rigid widowhood. A hundred years later, on a sweltering mid–summer's day, Edward's great–grand–niece Julia moves through the old family house, attempting to impose some order on the clutter of inherited belongings and memories from that ill–fated expedition, and taking care to ignore the deepening cracks within her own marriage. But as afternoon turns into evening, Julia makes a discovery that splinters her long–held image of Edward and Emily's romance. The Still Point moves through past, present, and future, with dreams revealing a universal simultaneity to the choices we must all make in the faces of love and passion. Long–listed for the Orange Prize, The Still Point is a powerful literary debut, masterfully told in the language of the heart.
