You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Love drama is on the rise as Amy's mom prepares for her wedding, Aunt Clover dates a hot musician, and Amy takes on the mystery of her friend's cheating beau.
A WWII novel of courage and conviction, based on the true experience of the men who fought fires as conscientious objectors and the women who fought prejudice to serve in the Women's Army Corps. Since the attack on Pearl Harbor, Gordon Hooper and his buddy Jack Armitage have stuck to their values as conscientious objectors. Much to their families' and country's chagrin, they volunteer as smokejumpers rather than enlisting, parachuting into and extinguishing raging wildfires in Oregon. But the number of winter blazes they're called to seems suspiciously high, and when an accident leaves Jack badly injured, Gordon realizes the facts don't add up. A member of the Women's Army Corps, Dorie Armit...
Re-visioning the classics, often in a subversive mode, has evolved into its own theatrical genre in recent years, and many of these productions have been informed by feminist theory and practice. This book examines recent adaptations of classic texts (produced since 1980) influenced by a range of feminisms, and illustrates the significance of historical moment, cultural ideology, dramaturgical practice, and theatrical venue for shaping an adaptation. Essays are arranged according to the period and genre of the source text re-visioned: classical theater and myth (e.g. Antigone, Metamorphoses), Shakespeare and seventeenth-century theater (e.g. King Lear, The Rover), nineteenth and twentieth century narratives and reflections (e.g. The Scarlet Letter, Jane Eyre, A Room of One's Own), and modern drama (e.g. A Doll House, A Streetcar Named Desire).
NATIONAL BESTSELLER A dark and riveting story of the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations. Myra Lamb is a wild girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain. Her grandmother, Byrdie, protects her fiercely and passes down “the touch” that bewitches people and animals alike. But when John Odom tries to tame Myra, it sparks a shocking disaster, ripping lives apart. "A fascinating look at a rural world full of love and life, and dreams and disappointment." --The Boston Globe "If Wuthering Heights had been set in southern Appalachia, it might have taken place on Bloodroot Mountain.... Brooding, dark and beautifully imagined." --The Atlanta Journal-Constitution
Amadou Diallo, Abner Louima, Anthony Baez, Patrick Dorismond. New York City has been rocked in recent years by the fate of these four men at the hands of the police. But police brutality in New York City is a multi-dimensional phenomenon that refers not only to the hyperviolent response of white male police officers as in these cases, but to an entire set of practices that target homeless people, vendors, and sexual minorities. The complexity of the problem requires a commensurate response, which Zero Tolerance fulfills with a range of scholarship and activism. Offering perspectives from law and society, women's studies, urban and cultural studies, labor history, and the visual arts, the ess...
In pursuit of a more sophisticated and inclusive American history, the contributors to Beyond the Founders propose new directions for the study of the political history of the republic before the Civil War. In ways formal and informal, symbolic and tactile, this political world encompassed blacks, women, entrepreneurs, and Native Americans, as well as the Adamses, Jeffersons, and Jacksons, all struggling in their own ways to shape the new nation and express their ideas of American democracy. Taking inspiration from the new cultural and social histories, these political historians show that the early history of the United States was not just the product of a few "founding fathers," but was al...
Preparing the Next Generation of Oral Historians is an invaluable resource to educators seeking to bring history alive for students at all levels. The anthology opens with chapters on the fundamentals of oral history and its place in the classroom, but its heart lies in nearly two dozen insightful personal essays by educators who have successfully incorporated oral history into their own teaching. Filled with step by step descriptions and positive student feedback, these chapters offers practical suggestions on creating curricula, engaging students, gathering community support, and meeting educational standards. Lanman and Wendling open each chapter with thoughtful questions that guide readers, whether unfamiliar with oral history or seeking to refine their approach, in applying the examples to their own classrooms. The bibliography of further resources at the anthology's close provides interested educators with all the information necessary to transform their lessons and show their students' history's power as a living force within their own lives and communities.
The Civil War is often portrayed as the most brutal war in America's history, a premonition of twentieth-century slaughter and carnage. In challenging this view, Mark E. Neely, Jr., considers the war's destructiveness in a comparative context, revealing the sense of limits that guided the conduct of American soldiers and statesmen. Neely begins by contrasting Civil War behavior with U.S. soldiers' experiences in the Mexican War of 1846. He examines Price's Raid in Missouri for evidence of deterioration in the restraints imposed by the customs of war; and in a brilliant analysis of Philip Sheridan's Shenandoah Valley campaign, he shows that the actions of U.S. cavalrymen were selective and co...
Skeele then looks at stage production of the play during the greater part of the twentieth century, contrasting two trends in Pericles production: the spectacular approach (a la Phelps) and the spare, stripped-down treatments initially inspired by Poel and Granville-Barker's rebellions against Victorian excess. Finally, Skeele blends critical and production history, examining Pericles in light of recent trends in poststructuralist criticism and postmodern staging.
Many playwrights, authors, poets and historians have used images, metaphors and references to and from Greek tragedy, myth and epic to describe the African experience in the New World. The complex relationship between ancient Greek tragedy and modern African American theatre is primarily rooted in America, where the connection between ancient Greece and ancient Africa is explored and debated the most. The different ways in which Greek tragedy has been used by playwrights, directors and others to represent and define African American history and identity are explored in this work. Two models are offered for an Afro-Greek connection: Black Orpheus, in which the Greek connection is metaphorical...