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Who Really Won the Battle of Marathon?
“An excellent book” that takes a new look at the historic clash between the ancient Greeks and Persians (Army Rumour Service). The Battle of Marathon in 490 BC, in which an Athenian-led Greek force defeated a Persian invasion, is one of the most decisive battles in antiquity, studied for centuries. It is famed as a triumph of the Greek hoplite heavy infantry phalanx against massively superior Persian numbers. But this exciting reassessment of the evidence, including new archaeological findings, overturns many long-held assumptions. In particular, the authors argue that the Greek numerical inferiority was less marked than previously thought, largely because the hoplites were accompanied b...
A Different God?
Within modern frameworks of knowledge and representation, Dionysos often appears to be atypical for ancient culture, an exception within the context of ancient polytheism, or even an instance of a difference that anticipates modernism. How can recent research contribute to a more precise understanding of the diverse transformations of the ancient god, from Greek antiquity to the Roman Empire? In this volume, which is the result of an international conference held in March 2009 at the Pergamon Museum Berlin, scholars from all branches of classical studies, including history of scholarship, consider this question. Consequently, this leads to a new look on vase paintings, sanctuaries, rituals and religious-political institutions like theatre, and includes new readings of the texts of ancient poets, historians and philosophers, as well as of papyri and inscriptions. It is the diversity of sources or methods and the challenge of former views that is the strength of this volume, providing a comprehensive, innovative and richly faceted account of the “different” god in an unprecedented way.
Egyptianizing Figurines from Delos
This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines’ iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects’ clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines’ archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between “popular” and “official” cults.
The Middle East Under Rome
The ancient Middle East was the theater of passionate interaction between Phoenicians, Aramaeans, Arabs, Jews, Greeks, and Romans. At the crossroads of the Mediterranean, Mesopotamia, and the Arabian peninsula, the area dominated by what the Romans called Syria was at times a scene of violent confrontation, but more often one of peaceful interaction, of prosperous cultivation, energetic production, and commerce--a crucible of cultural, religious, and artistic innovations that profoundly determined the course of world history. Maurice Sartre has written a long overdue and comprehensive history of the Semitic Near East (modern Syria, Lebanon, Jordan, and Israel) from the eve of the Roman conqu...
Good Works in 1 Peter
Drawing on recent insights from postcolonial theory and social psychology, Travis B. Williams seeks to diagnose the social strategy of good works in 1 Peter by examining how the persistent admonition to "do good" is intended to be an appropriate response to social conflict. Challenging the modern consensus, which interprets the epistle's good works language as an attempt to accommodate Greco-Roman society and thereby to lessen social hostility, the author demonstrates that the exhortation to "do good" envisages a pattern of conduct which stands opposed to popular values. The Petrine author appropriates terminology that was commonly associated with wealth and social privilege and reinscribes it with a new meaning in order to provide his marginalized readers with an alternative vision of reality, one in which the honor and approval so valued in society is finally available to them. The good works theme thus articulates a competing discourse which challenges dominant social structures and the hegemonic ideology which underlies them.
Paul's Koinonia with the Philippians
"Was Paul's relationship with the Philippians an economic partnership? Julien M. Ogereau explores the socio-economic dimension of Paul's koinonia with the Philippians from a Graeco-Roman perspective and argues that Paul maintained this partnership to provide financially for his mission."--Page 4 of printed paper wrapper.
Theatre and Autocracy in the Ancient World
Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years...
Approaches to the Study of Attic Vases
By showing how both interpretations have gained support in the more recent past, this work aims to provide a better understanding of the issues involved in the study of pottery today."--BOOK JACKET.
SENSORIVM: The Senses in Roman Polytheism
SENSORIVM publishes the first results of a collective investigation into how Roman rituals smelled, sounded, felt and struck the eye. It brings Roman religious experience into the realm of the senses.
