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This book is an up-to-date and comprehensive account of Roman theatre architecture. It contains information, plans, and photographs of every theatre in the Roman Empire for which there is archaeological evidence, together with a full analysis of how Roman theatres were designed, built, and paid for, and how theatres differ in different parts of the Roman Empire. It is lavishly illustrated with plans, text figures, photographs, and maps.
The visual image of the ruler, particularly in sculpture, played an important role in expressing the character of the new, distinctive style of monarchy brought to Greece and the East by Alexander and the Hellenistic kings. Royal portraits survive on coins and in sculpture, and we read about them in inscriptions and literature - evidence that is here combined to give an historical interpretation of the royal image from Alexander to Kleopatra. Part I looks at the historical setting of royal portrait statues, which functioned as an important medium of exchange between the king and the Greek cities. They gave a visual presentation of royal ideology and expressed the basis of the king's power in a personal godlike charisma. Part II collects together and analyses the major surviving portraits, grouped broadly by time and place, and Part III sets them in the wider political context of the period. The dated coin portraits are used to show broad changes in the royal image and howit responded to the major political challenges from Parthia to the East and Rome to the West.
The aim of this study is to place the inscriptions found on Athenian vases in the context of the early development of writing in Athens from the time of the invention of the alphabet in the eighth century BC to the early fourth, when the local alphabet had been supplanted by the common Ionic script. Other sources include the inscriptions on stone, both public and private, scratched inscriptions on pottery, among them the political ostraca, and some inscriptions on lead tablets; they are, however, insufficient to give a full picture of actual writing practices in a period from which we have no papyri. Although the vase inscriptions are brief, they number in the thousands, and being autographs...
A fully illustrated study of the Doric Temple of Athena at Assos, in modern Turkey. Bonna Daix Wescoat presents a complete inventory of the architecture and ornament, proposes a new reconstruction of the building, and situates the Temple within the formative development of monumental architecture in Archaic Greece.
This book examines dwarfs in myth and everyday life in ancient Egypt and Greece. The spectacular forms of dwarfism were always a focus of interest, and it is the most depicted disorder in antiquity. Dasen brings together a whole range of mostly unpublished or little-known iconographic, epigraphic, literary, and anthropological evidence.
This lavishly illustrated volume traces the development of Greek gem engraving from Alexander to Augustus.
Composite statues of gold (chrysos), ivory (elephas), and other precious materials were the most celebrated artworks of classical antiquity. Greek and Latin authors leave no doubt that such images provided a centrepiece for religious and civic life and that vast sums were spent to producethem. A number of these statues were the creations of antiquity's most highly acclaimed artists: Polykleitos, Alkamenes, Leochares, and, of course, Pheidias, whose magnificent Zeus Olympios came to be ranked among the Seven Wonders of the World. Although a few individual images such as Pheidias'Athena Parthenos have been the subject of detailed scholarly analysis, chryselephantine statuary as a class, from t...
This is an up-to-date survey of Aegean archaeology at the beginning of the Iron Age (late eleventh and tenth centuries BC). There are chapters on pottery, metal finds, burial customs, architectural remains (and how to use them to understand the social and political structure of the society), cult practices, and developments towards state formation. The book will be useful to field archaeologists, historians of ancient Greece, and students.
The Mausoleum at Halicarnassus was one of the Seven Wonders of the World. This is the first complete catalogue of its friezes and other decorative reliefs. Detailed descriptions are illustrated by hundreds of previously unpublished photographs. Also discussed are the discovery of the Mausoleum and the controversy about who carved its friezes.
The two hundred fragments of these stelai which have survived are the only evidence for these cult objects, gifts to Athena, and treasures of the city, since the items themselves have long since vanished - either stolen, melted down, or disintegrated. This volume presents the evidence for these ancient treasures for the first time, and provides data with important implications for the history of Athens and Greek religion. Chapters include a history of the treasures on the Acropolis, catalogues of each object kept in the Opisthodomus, Proneos, Parthenon, Hekatompedos Neos, and Erechtheion, and an analysis of the individual worshippers and allied-city states who gave gifts and offerings to their goddess, Athena.