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Chinese is one of the rare languages that was created thousands of years ago and has been in continuous use ever since. As language signs, Chinese characters reflect how ancient Chinese residents observed and understood the universe and themselves. These characters carry the fundamental ideas of man and nature, which have further developed into Chinese philosophies that have shaped Chinese personality traits and the landscape of contemporary China. This book explores the origin and evolution of selected Chinese characters that best represent the cognitive process and core values of Chinese culture. The study of Chinese characters provides an insight into Chinese wisdom of harmony, love and resiliency from which people draw strength in face of challenges today. The book is unique in its inclusion of featured Chinese calligraphy in character studies, accounting for the aesthetic enjoyment of traditional Chinese art in the history of Chinese characters’ evolution.
My husband would have never thought that I had set up a bugging device under his bed. However, on our second anniversary of the wedding, I heard moans from another woman through the bugging device. My husband cheated on me! Even more, he took away our child, ignoring my pain! Who would believe that he was a doctor! Almost losing my life, I ran out of the room where he attempted to murder me. Then I met a guy, and he saved my life. I fell for my saviour, yet I did not know he was another man that would send me to hell...
This book situates the development of 20th and 21st century Chinese art in such fundamental contexts as Chinese politics and social change and is ideally suited for readers to understand the particularities of Chinese art that are distinct from Western art history. Such an approach is appropriate to the understanding of the development of modern Chinese art, which differs from both the Western approach to art history and the approach to traditional Chinese art, which is limited to the combing of ink and brush heritage and ideological traditions. Based on the scale and influence of historical works, considering the specificity of the term involving 'fine art' in China, and the scope of influence of the phenomenon of fine art in the cultural field, this book is mainly limited to the study of artistic phenomena completed by painting, sculpture, photography, video, and mixed media. The main readers of this book are: undergraduate students in art schools, graduate and doctoral students in art history; students in other humanities disciplines; experts and professors in the study of 20th century Chinese art and cultural history should be important readers of this book.
The International Conference on Modern Mathematics and the International Symposium on Differential Geometry, in honor of Professor Su Buchin on the centenary of his birth, were held in September 2001 at Fudan University, Shanghai, China. Around 100 mathematicians from China, France, Japan, Singapore and the United States participated. The proceedings cover a broad spectrum of advanced topics in mathematics, especially in differential geometry, such as some problems of common interest in harmonic maps, submanifolds, the Yang -- Mills field and the geometric theory of solitons.
A COMPANION TO GLOBAL ENVIRONMENTAL HISTORY Equips both specialists and newcomers with the historical, intellectual, and political context for engagement with the environment Providing multiple points of entry into a dynamic, fast-growing field, A Companion to Global Environmental History explores the many contours of the relationship between human societies and the natural world on which they depend. Bringing together essays by an international roster of both established experts and emerging scholars, this volume covers a uniquely broad range of temporal, geographic, thematic, and contextual approaches to the practice of global environmental history. Thirty-three detailed chapters describe ...
China's post-80s generation, sometimes referred to as Generation Y, is the first whose members have grown up entirely within the reformist era. They are keen to distinguish themselves from their predecessors in every aspect of life. To Western eyes, this generation of Chinese, who are highly engaged with the world, display the ambiguities and paradoxes associated with China's economic rise: They are both nationalistic and cosmopolitan, subservient and defiant, hedonistic and mundane, materialistic and aspirational. This volume brings together some of the most popular and influential writers of this generation. Most of them remain largely unknown outside China. The short stories have been tra...
All-new edition of the world’s leading vertebrate palaeontology textbook, now addressing key evolutionary transitions and ecological drivers for vertebrate evolution Richly illustrated with colour illustrations of the key species and cladograms of all major vertebrate taxa, Vertebrate Palaeontology provides a complete account of the evolution of vertebrates, including macroevolutionary trends and drivers that have shaped their organs and body plans, key transitions such as terrestrialization, endothermy, flight and impacts of mass extinctions on biodiversity and ecological drivers behind the origin of chordates and vertebrates, their limbs, jaws, feathers, and hairs. This revised and updat...
Volume IV in the Ben cao gang mu series offers a complete translation of chapters 15 through 17, devoted to marshland herbs and poisonous herbs. The Ben cao gang mu is a sixteenth-century Chinese encyclopedia of medical matter and natural history by Li Shizhen (1518–1593). The culmination of a sixteen-hundred-year history of Chinese medical and pharmaceutical literature, it is considered the most important and comprehensive book ever written in the history of Chinese medicine and remains an invaluable resource for researchers and practitioners. This nine-volume series reveals an almost two-millennia-long panorama of wide-ranging observations and sophisticated interpretations, ingenious manipulations, and practical applications of natural substances for the benefit of human health. Paul U. Unschuld's annotated translation of the Ben cao gang mu, presented here with the original Chinese text, opens a rare window into viewing the people and culture of China's past.
The book examines the relationship between imperial examinations and literature from the perspective of restoring the cultural ecology of imperial examinations in Ming China, breaking through the paradigm of pure literature research. This book presents an important practice in adjusting the pattern of literary research. The contents of this book include five mutually independent but supportive parts: 1) the living conditions and careers of the literary attendants; 2) the educational background and school’s consciousness of the Ming literati; 3) top candidates and Ming literature; 4) genres of imperial examination and the Ming society; 5) exam cheating cases from the perspective of politics and literature. This book will appeal to readers interested in Chinese literature and culture and the imperial examination system in ancient China.
From A to Z, Abandon Superstitions (1958; Po Chu Mi Xing in Chinese) to Zuo Wenjun and Sima Xiangru (1984; Zuo Wen Jun Ahe Si Ma Xiang Ru), this comprehensive reference work provides filmographic data on 2,444 Chinese features released since the formation of the People's Republic of China. The films reflect the shifting dynamics of the Chinese film industry, from sweeping epics to unabashedly political docudramas, although straight documentaries are excluded from the current work. The entries include the title in English, the Chinese title (in Pinyin romanization with each syllable noted separately for clarity), year of release, studio, technical information (e.g., black and white or color, letterboxed or widescreen), length, technical credits, literary source (when applicable), cast, plot summary, and awards won.