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Knights on the Frontier
The kings of Castile maintained a personal cavalry guard through much of the fifteenth century, consisting of practicing Muslims and converts to Christianity. This privileged Muslim elite provides an interesting case-study to propose new theories about voluntary conversion from Christianity to Islam in the Iberian Peninsula, as well as the ways of assimilation of such a group into the local and courtly environments where they lived thereafter. Other subjects involved are the transformation of royal armies from feudal companies to regimented, professional forces including a well-trained cavalry, which in Castile was formed partly by these knights. Their descendants had to endure the changing policies conveyed by Isabel and Fernando, which increased discriminatory habits towards converts in Castilian society.
The Fortress of Faith
This study provides new fascinating testimonies about the development of a new image of Islam in Southern Europe in the fifteenth century and an approach to ways of acculturation in a mixed society.
The Religious Polemics of the Muslims of Late Medieval Christian Iberia
The Religious Polemics of the Muslims of Late Medieval Christian Iberia examines the corpus of polemical literature against the Christians and the Jews of the protected Muslims (Mudejars) preserved in Arabic and in Aljamiado (Spanish in Arabic characters).
Connected Stories
Concepts such as influence, imitation, emulation, transmission or plagiarism are transcendental to cultural history and the subject of universal debate. They are not mere labels imposed by modern historiography on ancient texts, nor are they the result of a later interpretation of ways of transmitting and teaching, but are concepts defined and discussed internally, within all cultures, since time immemorial, which have yielded very diverse results. In the case of culture, or better Arab-Islamic cultures, we could analyze and discuss endlessly numerous terms that refer to concepts related to the multiple ways of perceiving the Other, receiving his knowledge and producing new knowledge. The pu...
A New Companion to the Libro de buen amor
The New Companion to the Libro de buen amor provides a platform for exploring current, innovative approaches to this classic poem. It is designed for specialists and non-specialists from a variety of fields, who are interested in investigating different aspects of Juan Ruiz’s poem and developing fruitful new paths for future research. Chapters in the volume show how the book engages with Christian, Jewish and Muslim cultures, and delve into its legacy in the twentieth and twenty-first centuries. Part One sheds light on intersecting cultural milieux, from the Christian court of Castile, to the experience of Jewish and Muslim communities. Part Two illustrates how the poem’s meaning through time can be elucidated using an array of theoretical and interdisciplinary approaches. Contributors are Nora C. Benedict, Erik Ekman, Denise K. Filios, Ryan D. Giles, Michelle Hamilton, Carlos Heusch, José Manuel Hidalgo, Gregory S. Hutcheson, Veronica Menaldi, Simone Pinet, Michael R. Solomon. See inside the book
John Gower in England and Iberia
John Gower's great poem, the Confessio Amantis, was the first work of English literature translated into any European language. Occasioned by the existence in Spain of fifteenth-century Portuguese and Spanish manuscripts of the Confessio, the nineteen essays brought together here represent new and original approaches to Gower's role in Anglo-Iberian literary relations. They include major studies of the palaeography of the Iberian manuscripts; of the ownership history of the Portuguese Confessio manuscript; of the glosses of Gowerian manuscripts; and of the manuscript of the Yale Confessio Amantis. Other essays situate the translations amidst Anglo-Spanish relations generally in the fourteent...
Locating Religions
This collection of articles applies concepts developed in the wake of the so-called “spatial turn” to the field of religious studies.
Confronting the Borders of Medieval Art
These essays examine art on the borders of the medieval world, from China to Spain. They engage three related issues: margins, frontiers, and cross-cultural encounters. Historiographic problems and pedagogical questions weave through the essays and the editors introduction.
The Emergence of León-Castile c.1065-1500
To many medieval Europeans north of the Pyrenees, the Iberian Kingdom of León-Castile was remote and unfamiliar. In many ways such perceptions linger today, and the fact that León-Castile is mentioned at all in current textbooks is the result of efforts begun by scholars some forty years ago. Joseph F. O'Callaghan was part of a small group of English-speaking medievalists who banded together at conferences in the early 1970s to share their knowledge of Spain. O'Callaghan's general A History of Medieval Spain (1975) introduced a generation of English-speaking medievalists to Iberia. Still much of the new scholarly interest over the past decades has been directed toward the Kingdom of Aragon...
A Plural Peninsula: Studies in Honour of Professor Simon Barton
A Plural Peninsula embodies and upholds Professor Simon Barton’s influential scholarly legacy, eschewing rigid disciplinary boundaries. Focusing on textual, archaeological, visual and material culture, the sixteen studies in this volume offer new and important insights into the historical, socio-political and cultural dynamics characterising different, yet interconnected areas within Iberia and the Mediterranean. The structural themes of this volume --the creation and manipulation of historical, historiographical and emotional narratives; changes and continuity in patterns of exchange, cross-fertilisation and the recovery of tradition; and the management of conflict, crisis, power and authority-- are also particularly relevant for the postmedieval period, within and beyond Iberia. Contributors are Janna Bianchini, Jerrilynn D. Dodds, Simon R. Doubleday, Ana Echevarría Arsuaga, Maribel Fierro, Antonella Liuzzo Scorpo, Fernando Luis Corral, Therese Martin, Iñaki Martín Viso, Amy G. Remensnyder, Maya Soifer Irish, -Teresa Tinsley, Sonia Vital Fernández, Alun Williams, Teresa Witcombe, and Jamie Wood. See inside the book
