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The first major collection of the poems of Ana Luísa Amaral to be published in English, considered to be one of the foremost Portuguese poets of her day. With a translation by acclaimed translator Margaret Jull Costa.
Winner of the Premio Reina Sofia for Poetry Poems of effervescent grace from one of the best-known and best-loved poets of Portugal
The first major collection of the poems of Ana Luisa Amaral to be published in English, considered to be one of the foremost Portuguese poets of her day. With a translation by acclaimed translator Margaret Jull Costa. "
Winner of the Premio Reina Sofia for Poetry Poems of effervescent grace from one of the best-known and best-loved poets of Portugal With the elliptical looping of a butterfly alighting on one’s sleeve, the poems of Ana Lui´sa Amaral arrive as small hypnotic miracles. Spare and beautiful in a way reminiscent both of Szymborska and of Emily Dickinson (it comes as no surprise that Amaral is the leading Portuguese translator of Dickinson), these poems—in Margaret Jull Costa’s gorgeous English versions—seamlessly interweave the everyday with the dreamlike and ask “What’s in a name?”
Poems of effervescent grace—about nature, magpies, reality, “the unreasons of this world,” and spiders—from one of Portugal’s most beloved poets, published in a beautiful bilingual edition World—Ana Luísa Amaral’s second collection with New Directions—offers a new exhilarating set of poems that convey wonder, bemusement, and an ever-deepening appreciation of life. Weaving the thread that connects the poem to life, World speaks of our immense human perplexity in the face of everything around us and our oneness with it all. As Amaral notes, all of us, “humans and non-humans, are on the same ontological level, the differences being only a matter of perspective. We are all mad...
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This volume maps the reception of New Portuguese Letters in Portugal and abroad, with a mainly feminist approach. The ban on the book, deemed scandalous, and trial of the authors found instant international support abroad. An invaluable contribution to the history of women, the book is still relevant today for its insights on equality and freedom.
East Timor hit the world's newspaper headlines in August 1999 after its bloody, brave vote for independence from Indonesia - one of the great expressions of a people's democratic spirit, and its oppression. Before that - as a Portuguese colony and for 24 years of murderous Indonesian rule - it had been ignored.
Since antiquity, European Jewish diaspora communities have used formal appeals to secular and religious authorities to secure favors or protection. Such petitioning took on particular significance in modern dictatorships, often as the only tool left for voicing political opposition. During the Holocaust, tens of thousands of European Jews turned to individual and collective petitions in the face of state-sponsored violence. This volume offers the first extensive analysis of petitions authored by Jews in nations ruled by the Nazis and their allies. It demonstrates their underappreciated value as a historical source and reveals the many attempts of European Jews to resist intensifying persecution and actively struggle for survival.
Winner of the Nobel Prize in Literature In Vita Nova, Pulitzer-Prize winning poet Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart it Since Ararat in 1990, Louise Glück has been exploring a form that is, according to the poet, Robert Hass, her invention. Vita Nova--like its immediate predecessors, a booklength sequence--combines the ecstatic utterance of The Wild Iris with the worldly dramas elaborated in Meadowlands. Vita Nova is a book that exists in the long moment of spring: a book of deaths and beginnings, resignation and hope; brutal, luminous, and far-seeing. Like late Yeats, Vita Nova dares large statement. By turns stern interlocutor and ardent novitiate, Glück compasses the essential human paradox. In Vita Nova, Louise Glück manages the apparently impossible: a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that thwart and shape it.