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The Optimum Imperative examines architecture’s multiple entanglements within the problematics of Socialist lifestyle in postwar Czechoslovakia. Situated in the period loosely bracketed by the signing of the Munich accords in 1938, which affected Czechoslovakia’s entrance into World War II, and the Warsaw Pact troops’ occupation of Prague in 1968, the book investigates three decades of Czech architecture, highlighting a diverse cast of protagonists. Key among them are the theorist and architect Karel Honzík and a small group of his colleagues in the Club for the Study of Consumption; the award-winning Czechoslovak Pavilion at the 1958 World Expo in Brussels; and SIAL, a group of archit...
This book records a critical discussion of individual approaches to the representation of space in a museum through a series of conversations. Architecture and design exhibitions have long been important public sites of broadcasting, experimentation, position-taking, and the interrogation of fundamental aspects of the designed environment. Just as individual exhibitions have constituted key benchmarks within the disciplinary history of architecture, the representation and display of space through exhibitions has operated historically as a crucial medium for shaping and embodying broader cultural attitudes toward the design of the built world. In recent years, the specific formats and challen...
The Optimum Imperative examines the multiple ways that architecture was entangled within the problem of Socialist lifestyle in Czechoslovakia.
This collection focuses on how architectural material is transformed, revised, swallowed whole, plagiarized, or in any other way appropriated. It charts new territory within this still unexplored yet highly topical area of study by establishing a shared vocabulary with which to discuss, or contest, the workings of appropriation as a vital and progressive aspect of architectural discourse. Written by a group of rising scholars in the field of architectural history and criticism, the chapters cover a range of architectural subjects that are linked in their investigations of how architects engage with their predecessors.
J. Mayer H. und Partner, Architekten focus on works at the intersection of architecture, communication and new technology. Recent international projects include Metropol Parasol, the redevelopment of the Plaza de la Encarnación in Seville, Spain; the Court of Justice in Hasselt, Belgium; and several public and infrastructure projects in Georgia, for example an airport in Mestia, the border checkpoint in Sarpi, and three rest stops along the highway in Gori and Locchini. Other exciting projects are coming up soon: the Karlsruhe 300 jubilee pavilion KA300 in the royal gardens; a parking garage façade in Miami, Florida; the FOM University and the Rhein740 residential high-rise in Düsseldorf; and VOLT, a new retail and experience complex in the heart of Berlin. From urban planning schemes and buildings to installation work and objects with new materials, the relationship between the human body, technology, and nature form the background for a new production of space.
"A short, provocative manifesto for the programmable materials revolution from the visionary founder of MIT's Self-Assembly Lab"--
Extrastatecraft is the operating system of the modern world: the skyline of Dubai, the subterranean pipes and cables sustaining urban life, free-trade zones, the standardized dimensions of credit cards, and hyper-consumerist shopping malls. It is all this and more. Infrastructure sets the invisible rules that govern the spaces of our everyday lives, making the city the key site of power and resistance in the twenty-first century. Keller Easterling reveals the nexus of emerging governmental and corporate forces buried within the concrete and fiber-optics of our modern habitat. Extrastatecraftwill change how we think about cities-and, perhaps, how we live in them.
The architects, selected by the Architectural League of New York in their annual Young Architects Competition, present forward-thinking projects that imagine an effective role for architecture in the years to come. -- back cover.
The first comprehensive architectural and cultural history of condominium and cooperative housing in twentieth-century America. Today, one in five homeowners in American cities and suburbs lives in a multifamily home rather than a single-family house. As the American dream evolves, precipitated by rising real estate prices and a renewed interest in urban living, many predict that condos will become the predominant form of housing in the twenty-first century. In this unprecedented study, Matthew Gordon Lasner explores the history of co-owned multifamily housing in the United States, from New York City’s first co-op, in 1881, to contemporary condominium and townhouse complexes coast to coast. Lasner explains the complicated social, economic, and political factors that have increased demand for this way of living, situating the trend within the larger housing market and broad shifts in residential architecture and family life. He contrasts the prevalence and popularity of condos, townhouses, and other privately governed communities with their ambiguous economic, legal, and social standing, as well as their striking absence from urban and architectural history.
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