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With contributions from over fifty architects, planners, geographers, historians, and journalists, The Arsenal offers a wide-ranging view of the forces that shape our cities. Who gets to be where? The Arsenal of Exclusion & Inclusion examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion and inclusion, describes how they have been used, and speculates about how they might be deployed (or retired) for the sake of more open cities in which mor...
Why do we seek to return to the past or rescue pieces of the past that may have value in the present? Why does nostalgia attach to an approach to the world, social rules, and material products that willfully rejected the past? Larry Bennett explores the complexities of nostalgia with considerations of the historic preservation of brutalist architecture, specifically Bertrand Goldberg’s Prentice Women’s Hospital in Chicago; the memoirs and recollections of early and mid-twentieth-century Brooklyn and Detroit; and the turntable’s rebirth as a musical instrument alongside the vinyl LP’s resurgence as a prized way of consuming music. Bennett tracks modernity as expressed through ideas, artistic products, and widespread social practices. His consideration of nostalgia focuses on our inclination to rediscover value in people, places, and social habits diminished by the passage of time. Provocative and multidisciplinary, Reclaiming Modernity delves into the paradox of how we feel nostalgia for ideas and times that emerged from an impulse to shun nostalgia.
The Yokohama Project: An interesting building usually has an equally interesting tale to tell, an epic embedded in the organization of the massive, complex amount of matter used to create the structure. This book recounts the story of the Yokokama Project, an inventive, undulating, grass-covered ferry terminal that was never meant to be built. Asked to produce some material for an architectural journal, London-based architects Farshid Moussavi and Alejandro Zaera-Polo of FOA (Foreign Office Architects) set themselves a program of entering three competitions, through which to explore design ideas they had become interested in. When they actually won the second competition, for the Yokohama In...
Often problematically labeled as “Brutalist” architecture, the concrete buildings that transformed Boston during 1960s and 1970s were conceived with progressive-minded intentions by some of the world’s most influential designers, including Marcel Breuer, Le Corbusier, I. M. Pei, Henry Cobb, Araldo Cossutta, Gerhard Kallmann and Michael McKinnell, Paul Rudolph, Josep Lluís Sert, and The Architects Collaborative. As a worldwide phenomenon, building with concrete represents one of the major architectural movements of the postwar years, but in Boston it was deployed in more numerous and diverse civic, cultural, and academic projects than in any other major U.S. city. After decades of stag...
Architecture for a Free Subjectivity reformulates the French philosopher Gilles Deleuze's model of subjectivity for architecture, by surveying the prolific effects of architectural encounter, and the spaces that figure in them. For Deleuze and his Lacanian collaborator Félix Guattari, subjectivity does not refer to a person, but to the potential for and event of matter becoming subject, and the myriad ways for this to take place. By extension, this book theorizes architecture as a self-actuating or creative agency for the liberation of purely "impersonal effects." Imagine a chemical reaction, a riot in the banlieues, indeed a walk through a city. Simone Brott declares that the architectural...
This book offers an alternative vision for the future of architecture, a timely and invaluable contribution to the debate concerning emergent surfaces and the next generation of building membranes in this era of extreme computational control. Areas covered include: the future relationship between structure and ornament the value of mass customization for the next generation of modular building components the role of smart materials in creating a sustainable universe. Critical essays are combined with cutting-edge work to form an inspiring manual of varied digital and analog techniques. Highly illustrated with over 300 photographs, illustrations, and drawings, Autogenic Structures is for anyone curious to learn about a visionary approach to the development of architecture.
An expansive and revelatory historical exploration of the multicultural, water-seeking, land-destroying settlers of the most arid corner of North America, arguing that in order to know where the United States is going in the era of mass migration and climate crisis we must understand where the Southwest has already been Albuquerque. Phoenix. Tucson. El Paso. Las Vegas. Iconic American cities surrounded by desert and rust. Teeming metropolises that seem to exist independently of the seemingly inhospitable and arid landscape that surrounds them, belying the rich insight they offer into American stories of migration, industry, bloodshed, and rebirth. Charting a geographic path through America's...
As architects and designers, we struggle to reconcile ever increasing environmental, humanitarian, and technological demands placed on our projects. Our new geological era, the Anthropocene, marks humans as the largest environmental force on the planet and suggests that conventional anthropocentric approaches to design must accommodate a more complex understanding of the interrelationship between architecture and environment Here, for the first time, editor Ariane Lourie Harrison collects the essays of architects, theorists, and sustainable designers that together provide a framework for a posthuman understanding of the design environment. An introductory essay defines the key terms, concept...
This book explores the tangled texture of the art world, a curious and mysterious space. In 60 essays, drawn from around the globe, it reveals new dimensions about how artists make their art, resist censorship and retain an independent, creative spirit. The essays ask and answer several crucial questions: How do artists in Europe, the United States, Asia, the Middle East, and Latin and South America find space to live and work? How do artists follow their talent to make and exhibit original art in a politicized world where artistic freedom is often limited? How do smaller artistic venues survive the economic pressures and competition in the art market? Focusing on under-the-radar subjects, the reports, interviews, and essays illuminate the pain and pleasures of artistic production and the challenges faced by artists, curators, and gallerists.
ARCHITECTURE OF FIRST SOCIETIES THIS LANDMARK STUDY TRACES THE BEGINNINGS OF ARCHITECTURE BY LOOKING AT THE LATEST ARCHAEOLOGICAL AND ANTHROPOLOGICAL RESEARCH From the dawn of human society, through early civilizations, to pre-Columbian American societies, Architecture of First Societies traces the different cultural formations that developed in various places throughout the world to form the built environment. It is the first book to explore the beginnings of architecture from a global perspective. Viewing ancient cultures through a lens of both time and geography, this history of early architecture brings its subjects to life with full-color photographs, maps, and drawings. The author cite...