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Robert Darnton introduces us to the shadowy world of pirate publishers, garret scribblers, under-the-cloak book peddlers, smugglers, and police spies that composed the literary underground of the Enlightenment. By drawing on an ingenious selection of previously hidden sources, he reveals for the first time the fascinating story of this eighteenth-century counterculture that has virtually disappeared from history.
In fact, Herbert argues, the exhibitions developed a particular sense of French national identity - one that, in managing to be at the same moment both inwardly focused and beneficently expansive, would present a vivid contrast to the growing German nationalism of the Third Reich. His epilogue takes a final look at these issues from the perspective of Jean Cocteau's 1950 film Orphee.
"The twenty-three men and women who tell their conversion stories in these pages were not drawn to the Church by sound evangelization programs, beautiful buildings and liturgies, or saintly witnesses among the clergy. On the contrary, many of them were attracted to Catholicism in spite of a now decades-long stretch of deficient catechesis, mediocre Masses, and uninspiring leadership. Christ himself led these souls to his Church, concludes editor Donna Steichen, who compiled this consoling collection, and it is the Lord who set them to work replanting his devastated vineyard. ""Despite their marked differences in origin, education, and field of service,"" writes Steichen, ""each one makes it ...
Traces the life of the nineteenth century French novelist, attempts to portray his complex personality, and analyzes his major works.
From 1770 to 1789 a succession of highly publicized cases riveted the attention of the French public. Maza argues that the reporting of these private scandals had a decisive effect on the way in which the French public came to understand public issues in the years before the Revolution.
What is happening to public debate in Western cultures? Is our public sphere disintegrating? In the face of popular tabloid newspapers, new forms of reality television and an increasing lack of respect for traditional authorities, many critics are concerned that our society no longer has a rational, informed and unified space where everyone can communicate about the issues that affect us all. In this book Alan McKee answers these questions by providing an introduction to the concept of the public sphere, the history of the term and the philosophical arguments about its function. By drawing on many examples from contemporary mediated culture, McKee looks at how we communicate with each other in public - and how we decide whether changing forms of communication are a good thing for the 'public sphere'.