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Architect of His Own Destruction
Crime author Aldrich Tobias, the man the critics love to hate, sits in La Prison Sante, awaiting the guillotine. He’s been convicted of a series of sex-murders involving women and girls. The President of the Republic has asked Detective-Sergeant Gilles Maintenon to take another look into the case. There’s not much physical evidence, just a few mirror-like resemblances to chapters from Tobias’s published works. According to Aldrich Tobias, ‘The artist is mad—always mad.” Maintenon is about to find out what that really means.
The Art of Murder
Inventor Theo Duval appeared to be having the perfect life. A locked room with the only key in the decedent’s pocket, a book on hypnotism, and one very rich and very dead inventor, present Inspector Gilles Maintenon of the Surete with a problem. Why would a young, healthy, successful man, one with a beautiful fiance, and a thriving company ever want to kill himself?
Regule
The Regule of Robertus de Handlo and the Summa of Johannes Hanboys are among the few major texts of medieval English music theory. The first directly influenced the latter, and both deal with unique notational practices found in English music of the fourteenth century. These two texts were edited by Edmon de Coussemaker in the nineteenth century in editions that have come to be recognized as seriously deficient. Now Peter M. Lefferts has paired them in a new critical edition that is far superior in its accuracy and scholarly underpinnings. The Regule of 1326 provides one of the two most comprehensive views of late ars antiqua notational developments. Handlo takes as his point of departure th...
Réécriture Des Mythes
Définir de façon univalente la notion de mythe et celle d'utopie semble en soi une entreprise tout à fait utopique. Par ailleurs, jumeler les deux notions, celle du mythe et celle d'utopie, reléve d'un processus de réflexion qui peut facilement être à double tranchant: le mythe, construction par excellende de l'imaginaire humain, ne se situe-t-il pas ailleurs que dans un non-lieu? -- et l'utopie, quant à elle, ne fait-elle pas écho au mythe, à la fois s'en inspirant, le niant et le transformant? Redondance possible, et aussi, parfois, refus des deux domaines à admettre leur interdépendance, cheninement parallèle surtout et création commune de ce qui, en fin de compte, s'avère mythe transformé, utopie revistée. Toutefois, mythes et utopies quels que soient la position choisie, le point de vue défendu, semblent faire bon ménage, à en juger par ce projet, mavec dix-neuf textes couvrant principalement la littérature contemporaine des femmes, mais puisant parfois aux oeuvres antérieures qui ont déjà préparé le terrain, en offrant des visions d'existences idylliques -- ne serait-ce que littéraires.
Traumatic Pasts
The essays in this book trace the origins of ongoing heated debates regarding trauma.
Aboriginal Music in Contemporary
Contemporary Aboriginal music from powwow to hip hop, the people that make it, and the issues that shape it.
Denis Janot (fl. 1529-1544), Parisian Printer and Bookseller
Denis Janot is the prime example of a vernacular printer espousing the highest standards of French Renaissance printing, highly influential in the adoption of roman type to the printing of vernacular material, and a key figure in the development of book illustration. This bibliography, a comprehensive revison of the author’s Warwick Ph.D. thesis of 1976, listing 391 editions (41 more than the original version), is based firmly on the description of Janot’s books. Some 1300 copies have been examined, about 80% of the known total. Alongside the bibliography there is an description of Janot’s printing material (including an index of more than 1000 woodcuts), and some analysis of the subjects of his publications.
Annual Report
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Ars musice
Ars musice, composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. As the editors note in their introduction, "Grocheio is aware of the enormous range of types of music performed in different ways in different places. How can he impose order on this enormous subject matter? He decided to resolve this question by structuring his discussion around the practice of music that he observed in the city of Paris, organized into three main 'branches': music of the people (musica vulgalis), composite or regular, 'which they call measured music' (musica mensurata), and ecclesiastical music (musica ecclesiastica), which he claims derives from the other two (AM 6.2). The originality of Grocheio's treatise has attracted considerable scholarly interest. It has long been recognized as a unique source of information about musical life in medieval Paris. Through his treatise, Grocheio enables a modern reader to become aware of the complex auditory environment of that city in the late thirteenth century as well as of its intellectual vitality at a particularly vibrant moment in its history."
King's Sister – Queen of Dissent: Marguerite of Navarre (1492-1549) and her Evangelical Network (set 2 volumes)
This study reconstructs for the first time Marguerite of Navarre’s leadership of a broad circle of nobles, prelates, humanist authors, and commoners, who sought to advance the reform of the French church along evangelical (Protestant) lines. Hitherto misunderstood in scholarship, they are revealed to have pursued, despite persecution, a consistent reform program from the Meaux experiment to the end of Francis I’s reign through a variety of means: fostering local church reform, publishing a large corpus of religious literature, high-profile public preaching, and attempting to shape the direction of royal policy. Their distinctive doctrines, relations with major reformers – including their erstwhile colleague Calvin – involvement in major Reformation events, and the impact of their unsuccessful attempt are all explored.
