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Forgotten Veterans, Invisible Memorials
Investigates the groundbreaking role American women played in commemorating those who served and sacrificed in World War I In Forgotten Veterans, Invisible Memorials: How American Women Commemorated the Great War, 1917–1945 Allison S. Finkelstein argues that American women activists considered their own community service and veteran advocacy to be forms of commemoration just as significant and effective as other, more traditional forms of commemoration such as memorials. Finkelstein employs the term “veteranism” to describe these women’s overarching philosophy that supporting, aiding, and caring for those who served needed to be a chief concern of American citizens, civic groups, and...
Historical Dictionary of Romantic Art and Architecture
Romanticism is multifaceted, and a wide range of nostalgic, emotional, and exotic concerns were expressed in such styles and movements as the Gothic Revival, Classical Revival, Orientalism, and the Pre-Raphaelite Brotherhood. Some movements were regional and subject-specific, such as the Hudson River School of landscape painting in the United States and the German Nazarene movement, which focused primarily on religious art in Rome. The movements range across Western Europe and include the United States. This dictionary will provide a fuller historical context for Romanticism and enable the reader to identify major trends and explore artists of the period. This second edition of Historical Dictionary of Romantic Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on major artists of the romantic era as well as entries on related art movements, styles, aesthetic philosophies, and philosophers. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic art.
Cold War American Exhibitions of Italian Art and Design
Enriching the existing scholarship on this important exhibition, Italy at Work: Her Renaissance in Design Today (1950–53), this book shows the dynamic role art, specifically sculpture, played in constructing both Italian and American culture after World War II (WWII). Moving beyond previous studies, this book looks to the archival sources and beyond the history of design for a greater understanding of the stakes of the show. First, the book considers art’s role in this exhibition’s import—prominent mid-century sculptors like Giacomo Manzù, Fausto Melotti, and Lucio Fontana were included. Second, it foregrounds the particular role sculpture was able to play in transcending the bounda...
Cities of Power
In this brilliant, very original survey of the politics and meanings of urban landscapes, leading sociologist Gran Therborn offers a tour of the world's major capital cities, and the forces that have shaped them. Through a global, historical lens, and with a thematic range extending from the mutations of modernist architecture to the contemporary return of urban revolutions, Therborn questions received assumptions about the source, manifestations and reach of urban power, combining perspectives on politics, sociology, urban planning, architecture, and urban iconography. With its unique systematic overview, from Washington DC and revolutionary Paris to the flamboyant twenty-first century capital of Kazakhstan, its wealth of urban observations from all the populated continents, and its sharp and multi-faceted analyses, Cities of Power forces us to rethink our urban future, as well as our historically shaped present.
Historical Dictionary of Neoclassical Art and Architecture
Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to a...
Modern in the Making
Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA's early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibition of a multidisciplinary idea of modern art. Between its founding in 1929 and its 20th anniversary in 1949, MoMA created the first museum departments of architecture and design, film, and photography in the country, marshaled modern art as a political tool, and brought consumer culture into a versatile yet institutional context. Encompassing 14 essays that investigate the diversity of modern art, this volume demonstrates how MoMA's programming shaped a version of modern art that was not elitist but fundamentally intertwined with all levels of cultural production.
Noi abbiamo futuro
A Radioimmaginaria non si sogna soltanto. La radio degli adolescenti ha cinquanta antenne in tutto il mondo, la sua voce è forte e chiara. È la voce di chi non ha ancora vent’anni, e sa che il mondo deve essere suo e va raccontato a tutti. Gli ‘Spicchi’ di Radioimmaginaria hanno trovato un vecchio Ape in Sicilia e l’hanno fatto viaggiare fino a Castel Guelfo, in Emilia. Poi l’hanno trasformato in ApeRadio, la più tenera delle loro tante postazioni mobili, l’hanno guardato e gli hanno detto: Dài, bestione, sei uno di noi, adesso portaci lassù. Noi vogliamo arrivare a Stoccolma, guardare in faccia l’Europa, chilometro dopo chilometro, a quaranta all’ora. Non ci spaventa la fatica, non ci spaventano le difficoltà. Il 23 agosto 2019, anniversario del primo sciopero per il clima, c’eravamo anche noi, lì, in quella piazza, sotto la pioggia, con migliaia e migliaia di ragazzi come noi, a dire NOI ABBIAMO FUTURO. Hanno sognato di attraversare l’Europa in Ape Piaggio. Partire un mattino e via, lungo stradine secondarie, su e giù per le Alpi, e un giorno parcheggiare un vecchio Ape ansimante proprio davanti al parlamento di Stoccolma.
Building Transatlantic Italy
At the end of the Second World War, America’s newly acquired status of hegemonic power- together with the launch of ambitious international programs such as the Marshall Plan- significantly altered existing transatlantic relations. In this context, Italian and American architectural cultures developed a fragile dialogue characterized by successful exchanges and forms of collaboration but also by reciprocal wariness. The dissemination of models and ideas concerning architecture generated complex effects and frequently led to surprising misinterpretations, obstinate forms of resistance and long negotiations between the involved parties. Issues of continuity and discontinuity dominated Italia...
