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Dante and Polish Writers
Dante and Polish Writers: From Romanticism to the Present explores the phenomenon of Polish Danteism from a hermeneutic perspective. The chapters shed light on a series of “encounters” of eminent Polish writers with Dante and the Divine Comedy, resulting in original interpretations, creative reworkings, and a wealth of intertextual references testifying to a dialogue that has always been – and still is - alive, not excluding antagonism and bitter controversy. The contributors are all scholars of Polish literature with comparative expertise, teaching in Italian and Polish universities, which ensures a consistently focused point of view on the receptive context and the ways in which it is affected by the confrontation with Dante. The hermeneutic horizon ranges from the Inferno-like reading of the inhuman lands with which history abounds, to the metaphysical yearning underlying Dante’s “poetics of transhumanizing,” to recent perspectives related to the posthuman and storytelling.
Samuel Beckett and the Arts
Beckett’s dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett’s relationship with Italian arts and poetry on one side–and on Italian artists’ response to Beckett’s oeuvre on the other–is still missing. The volume offers an original examination of Beckett’s presence on the contemporary Italian cultural scene, a stage where he became (and still is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an “Italian” artist, in constant dialogue with the most significant modern European cultural turns.
Wordsworth’s Trauma and Poetry
Based upon the testimony of Thomas Carlyle, most biographers acknowledge that Wordsworth witnessed the beheading of the journalist Antoine Gorsas in October 1793 during the Reign of Terror. But they go no further. This study reads the Poet’s reactions to the Terror in passages from The Prelude as explicitly about his twenty-three-year-old-self witnessing the gory deaths of Gorsas and others, which caused post-traumatic stress disorder and its symptoms, exacerbated by guilt for abandoning his French lover and their child a year earlier. Following a chronological arc from October 1793, when the trauma began, until its conclusion in October 1803, when Wordsworth became a poet-soldier, I examine poetic works from The Borderers (1796), the “Discharged Soldier’ (1798), the Two-Part Prelude (1799), Home at Grasmere (1800), and the Liberty sonnets (1803), to follow the Poet working through anxiety, fear, and remorse to a resolution.
The Social Imagination of the Romantic Wife in Literature
The emergence of social change in the daily lives of English society appeared most noticeably through the Romantic-era response of human emotions to a period of reason that has defined the era of Enlightenment, scientifically and philosophically. Remarkably, the dramatic political shift that occurred in 1789 from a French monarchy to a constitutional democracy foreshadowed social changes to the family unit that were more slowly evolving throughout England during the eighteenth century. An intellectual movement to educate all members of society strengthened efforts to loosen ecclesiastical control, allowing more secular definitions of social roles to emerge. The nature of marriage during this...
The Epitome
Containing a retrospective view of every discovery and practical improvement in the medical sciences, abstracted from the current medical journals of the United States and Canada.
History of the Pancreas: Mysteries of a Hidden Organ
Never before has a comprehensive history of the pancreas like History of the Pancreas been published. It not only is a historical review of the science of medicine, it is liberally interspersed with anecdotal vignettes of the researchers who have worked on this organ. Much of it, such as the discovery of the duct of Wirsüng, of the islets of Langerhans, of insulin, gastrin and their tumors, reads like the adverture, which it is. This book, divided into 14 chapters, is written in a narrative style and is easily readable, as glimpses of the investigators, those who failed as well as those who succeeded, adds both perspective and human interest. Each chapter is completely referenced, totaling over 1500 references. As a reference book for students, teachers, investigators, writers, its detailed hjistorical documentation is unique. From the pre-Christian era of Asia Minor, to Greece, Rome, Europe and America, to the explosive progress in Japan, the history is there. History of the Pancreas: Mysteries of a Hidden Organ fills a gap.
Reading Keats’s Poetry
This book claims that Keats’s poetry is a reaction against the discourse of modernity which traumatized the human subject by creating a divide between human and nature, subject and object. It argues that by transcending this divide and acknowledging the agency of both subject and object, Keats makes an ideological statement and offers a new site of existence or relationality to readers. This site also implies a response to the accusations that the Romantics were not interested in the realities of their time. What Keats does is to give an aestheticized response to the hardcore facts of his time. Departing from previous studies due to its emphasis on subjectivity and relationality, the book ...
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