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Afro-Cuban Identity in Postrevolutionary Novel and Film
Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists' participation in and questioning of the revolutionary government's revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba's poor and marginalized, the government's official position was that racial inequities had been resolved as early as 1962. Although a more open dialogue ...
Migrant and Tourist Encounters
Migrant and Tourist Encounters: The Ethics of Im/mobility in 21st Century Dominican and Cuban Cultures analyzes the effects of clashing flows of voluntary and involuntary travelers to and from these countries due to an increase in migration and tourism during the last three decades. I compare the ways in which literary works and films reflect on and critique the power relations and ethics of im/mobility and encounter, both on the islands and in destinations abroad. The works draw attention to the interconnectedness of migration, tourism, and other forms of travel as well as immobility, and portray growing local and global inequalities through characters’ disparate access to free, voluntary movement. I consider how the works respond to the question of the moral potential of encounters produced by im/mobilities and the possibility of connection across differences. I argue that Dominican and Cuban artists not only critique neo-colonial paradigms of power and im/mobility, but envision and enact strategies for belonging and, in some cases, suggest a path toward de-colonial cosmopolitanism.
Coming of Age in the Afro-Latin American Novel
"This book is the first study of recent coming-of-age novels from Brazil and the Spanish-speaking Caribbean. I investigate the divide in Afro-Latin American research that usually favors either Hispanic-America or Brazil, but not both. I argue that contemporary novelists have adapted the coming-of-age novel to explore central themes in the Afro-Latin American experience such as Blackness, African religions and folkloric traditions, and immigration. While there is no firm consensus on the term Blackness, scholars typically use the term to describe the social, cultural, and historical experience of Afro-descendants in the diaspora. The Afro-Latin American bildungsromans examined in this study i...
Insularidad narrativa en la obra de Nivaria Tejera
Insularidad narrativa en la obra de Nivaria Tejera: Un archipiélago transatlántico revela la trayectoria vital y literaria de una de las escritoras cubanas más trascendentes del siglo XX. Nivaria Tejera ha habitado múltiples ínsulas (Canarias, Cuba, la Ile de France y la propia isla Nivaria) y en todas ellas converge la experiencia rotunda del exilio. El encarcelamiento del padre en la Guerra Civil española, el paso de la adolescencia durante el régimen de Fulgencio Batista, su compromiso y consecuente ruptura con la Revolución Cubana y el exilio parisino en el que vive desde 1965 conforman el trasfondo biográfico de un inconfundible corpus literario. La obra nivariana se caracteriza por la incesante búsqueda de una palabra poética que, desde el cruce de varios espacios culturales, geográficos y literarios, desafía a las dictaduras vividas. El presente libro constituye el primer análisis detallado del trabajo de una escritora que pertenece a la ilustre historia literaria de Cuba, Canarias y las letras hispanas. Nivaria Tejera recibió el Premio de Novela Biblioteca Breve en 1971 por su obra Sonámbulo del sol.
Afro-Cuban Identity in Post-Revolutionary Novel and Film
Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists’ participation in and questioning of the revolutionary government’s revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba’s poor and marginalized, the government’s official position was that racial inequities had been resolved as early as 1962. Although a more open d...
Cuba
Spanning the history of the island from pre-Columbian times to the present, this highly acclaimed survey examines Cuba's political and economic development within the context of its international relations and continuing struggle for self-determination. The dualism that emerged in Cuban ideology--between liberal constructs of patria and radical formulations of nationality--is fully investigated as a source of both national tension and competing notions of liberty, equality, and justice. Author Louis A. Pérez, Jr., integrates local and provincial developments with issues of class, race, and gender to give students a full and fascinating account of Cuba's history, focusing on its struggle for nationality.
Slums on Screen
Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film c...
Making The Black Jacobins
C. L. R. James's The Black Jacobins remains one of the great works of the twentieth century and the cornerstone of Haitian revolutionary studies. In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of James's landmark work across the decades from the 1930s on. Examining the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James's 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—Douglas shows how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. She also points to the vital significance theater played in James's work and how it influenced his views of history. Douglas shows The Black Jacobins to be a palimpsest, its successive layers of rewriting renewing its call to new generations.
