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Andrei Bitov
This is the first book on Andrei Bitov, one of contemporary Russia's most original writers. It plots his evolution from his early publications of the post-Stalin years to his mature masterpieces of the glasnost era. Ellen Chances assesses his place both in the Russian literary tradition from Pushkin onwards, and as part of a broader, international cultural heritage including Dickens, Fellini, and Proust. She explores his themes, from the psychological effects of Stalin on Soviet society to universal questions such as the human being's relationship with nature, history and culture, and discovers in his deeply philosophical and intensely psychological writings an innovative methodology, 'ecological prose', that goes beyond modernist and post-modernist fragmentation in search of the wholeness of life.
A Captive of the Caucasus
The Caucasus, Bitov the traveler is a captive, however alienated, of his homeland, too. Bitov's works characteristically proceed from and comment on one another, and the realization of captivity leads to a different journey; the second account, Choosing a Location, an entertaining impressionistic record of his travels in Soviet Georgia, is Bitov's quest for his own place and time. Compellingly conceived and spectacularly crafted, A Captive of the Caucasus is an.
The Monkey Link
In the waning years of the Soviet Empire, a poet traverses Russia from the Baltic to the Black Sea. Along the way he discusses man's place in the scheme of things with a number of people, including a very sober scientist and a very drunk painter. The novel explores man's relationship to God, animals, atomic power and art.
Pushkin House
"Probably the most interesting work to come out of Soviet literature since the Twenties."-London Review of Books
The Symmetry Teacher
From one of the greatest Russian writers of the past half century comes a metaphysical mystery novel that defies categorization and confounds expectation. Andrei Bitov's The Symmetry Teacher presents itself as the "echo" of an older British novel Bitov once read and had long forgotten. Unable even to recall the name of that novel's author, Bitov reconstructs its literary vision through the fog of memory, creating a group of stories nestled together like a matryoshka doll. In doing so, Bitov evokes the anxieties of the late and post-Soviet decades, confronting urgent questions of conscience and self-deception through an innovative style that revels in paradox and sleight of hand. Unified by t...
Russian Postmodernism
The last ten years were decisive for Russia, not only in the political sphere, but also culturally as this period saw the rise and crystallization of Russian postmodernism. The essays, manifestos, and articles gathered here investigate various manifestations of this crucial cultural trend. Exploring Russian fiction, poetry, art, and spirituality, they provide a point of departure and a valuable guide to an area of contemporary literary-cultural studies which is currently insufficiently represented in English-language scholarship. A brief but useful "Who's Who in Russian Postmodernism" as an appendix introduces many authors who have never before appeared in a reference work of this kind and renders this book essential reading for those interested in the latest trends in Russian intellectual life.
The Art of Writing Badly
"The art of writing badly" is a phrase the Russian writer Valentin Kataev coined to describe the work that came out of the mauvist movement in Russia-a style of writing that consciously challenged Soviet dogma. In this book, Richard Borden discusses the cultural and political context from which these authors emerged and the development of "bad writing." Beginning with a close examination of the work of Kataev, the best-known progenitor of "bad writing," Borden then broadens his study to include the "mauvist creations" of post-Stalinist writers Aksenov, Bitov, Sokolov, Limonov, Evgeny Popov, and Venedikt Erofeev. Borden shows how these writers' shared mauvistic characteristics reveal major philosophical and aesthetic tendencies in contemporary Russian culture, bring to light facets of their writing that have never been discussed, and enrich the readings of the particular texts under discussion.
Essays on Gogol
These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.
Commemorating Pushkin
Commemorating Pushkin is a study of the fascination with Pushkin that has helped Russian culture define itself, as seen in poems, stories, essays, memoirs, films, museums, and commemorative celebrations.
