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Pet, Pet, Slap
Rocky meets Elmore Leonard meets Miranda July as Pillow Wilson, a past-his-prime boxer, trains for his last title shot. Shenanigans ensue. Boxer ‘Pillow Fist’ Pete Wilson should be preparing for his big comeback fight. But, having recently undergone an ethical awakening, the new vegan is busy trying to find humane new homes for his menagerie of exotic pets (including Jersey Joe the sloth and Rigoberto the shark). His roommate, Sherlock Holmes, who faked his own death by waterfall, is now Pillow’s in-house doping expert. Pillow just can’t get motivated to train, and he’s further distracted from his push-ups when both his car and Rigoberto mysteriously disappear. Luckily, Sherlock is...
Marry, Bang, Kill
Tommy Marlo can't help trying to make the people he meets - even those he mugs - feel better about their situation. Unfortunately for Tommy, he rips off the daughter of a psychotic, high-ranking member of a notorious motorcycle gang. Even worse, the laptop that he pilfered contains proof of a few gruesome murders and the location of a huge stash of money. Flat broke and marked for death, his only shot at surviving is to rob the motorcycle gang, use the cash to get out of town, and hide out on the small island where his mother now lives. Residence: Vancouver, B.C.
Pillow
LONGLISTED FOR THE 2016 SCOTIABANK GILLER PRIZE SHORTLISTED FOR THE 2016 KOBO EMERGING WRITER PRIZE Most of the things Pillow really liked to do were obviously morally wrong. He wasn't an idiot; clearly it was wrong to punch people in the face for money. But there had been an art to it, and it had been thrilling and thoughtful for him. The zoo was also evil, a jail for animals who'd committed no crimes, but he just loved it. The way Pillow figured it, love wasn't about goodness, it wasn't about being right, loving the very best person, having the most ethical fun. Love was about being alone and making some decisions. Pillow loves animals. Especially the exotic ones. Which is why he chooses t...
Pillow
Elmore Leonard-style noir meets Surrealism: Pillow punches above its weight in this playful literary debut.
Failure to Thrive
Poetry of ambivalence, humour, and doubt that belies a kind of optimism Dumpster fires outside discount stores and rotting whale carcasses; optical illusions and memento mori all coming to you direct, / by way of this Rube Goldberg machine. Failure to Thrive zigzags through excess, taking in the big picture through the lens of a pinhole camera. These poems ask us to lean into our senses, to spend time loitering, slipping coins into attention's slots, / anticipating the next big pay-off. Hip and cerebral, this witty collection is as quick to make fun of itself as it is to turn its humour outward, where false historians have free rein, answers come in the form of questions, and the apocalypse seems like a good time to knit a sweater. Suzannah Showler's debut shows us how a failing world can be the site of aesthetic renewal rather than decline.
Circus
A dazzling collection of award-winning stories with the emotional punch, sharp wit, and disarming charm of Rebecca Lee, Karen Russell, Neil Smith, and Jessica Grant. Ladies and gentlemen! Boys and girls! Step right up and prepare to be dazzled by this delightful debut from Claire Battershill, winner of the CBC Literary Award, co-winner of the Canadian Authors Association’s Emerging Writer Award, and finalist for the inaugural PEN International/New Voices Award. As they transport us from a crowded airport departure lounge to the stillness of the British Museum, and from the spectacle of the Winter Olympics to the modesty of a local Miniatureland, these radiant stories explore the often surp...
The Book World
British literature underwent profound changes in the period 1900-1940. What role did audiences and channels of book distribution play in this? In this wide-ranging collection, the influence of publishers, distributors, librarians and readers come to the foreground to open up new perspectives on literature and print culture. Rooted in original archival research, chapters include studies of the engagement of canonical writers and bestsellers with the literary marketplace; the influence of international and mobile audiences; publishing practices involving genre, promotion, and censorship; and the significance of spaces of reading including bookshops, circulating libraries and on-board passenger ships. Through a series of detailed case-studies that focus on under-explored aspects of distribution and readership, the contributors open up new perspectives on literature and the British book trade.
We Have Never Lived On Earth
Kasia Van Schaik’s debut story collection follows the journey of Charlotte Ferrier, a child of divorce raised by a single mother in a small town in British Columbia after moving from South Africa. Mother and daughter wait out the end of a bad year in a Mexican hotel; a friendship is tested as forest fires demolish Charlotte’s town; a childhood friend disappears while travelling through Europe; and a girl on the beach examines the memories of dying jellyfish. The stories traverse the most intimate and transforming moments of female experience in a world threatened by ecological crisis. Longlisted for the Scotiabank Giller Prize 2023.
The Bear Woman
Feminist autofiction from one of Sweden’s blazing talents. “Ramqvist is a serious contender for the Swedish literary limelight.” —Shelf Awareness Blending autofiction and essay, The Bear Woman is a journey of feminism and literary detective work spanning centuries and continents. In the 1540s, a young French noblewoman, Marguerite de la Rocque, was abandoned on an island in the Gulf of Saint Lawrence with her maidservant and her lover. In present-day Stockholm, an author and mother becomes captivated by the image of Marguerite sheltered in a dark cave after her companions have died. This image soon becomes an obsession. She must find out the real story of the woman she calls the Bear...
Most Dramatic Ever
The right reasons to fall in love with The Bachelor When it debuted in 2002, The Bachelor raised the stakes of first-wave reality television, offering the ultimate prize: true love. Since then, thrice yearly, dozens of camera-ready young-and-eligibles have vied for affection (and roses) in front of a devoted audience of millions. In this funny, insightful examination of the world’s favorite romance-factory, Suzannah Showler explores the contradictions that are key to the franchise’s genius, longevity, and power and parses what this means for both modern love and modern America. She argues the show is both gameshow and marriage plot — an improbable combination of competitive effort and ...
