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Fiction and essays inspired by Paris from more than 70 Anglophone writers -- A MoveableFeast for the twenty-first century. "When good Americans die, they go to Paris", wrote the Irish playwright Oscar Wilde in 1894. The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today. We'll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct -- one ...
This original collection of insight, analysis and conversation charts the course of punk from its underground origins, when it was an un-formed and utterly alluring near-secret, through its rapid development. Punk is Dead: Modernity Killed Every Night takes in sex, style, politics and philosophy, filtered through punk experience, while believing in the ruins of memory, to explore a past whose essence is always elusive.
The Abode of Fancy tells the story of a young Dublin man, Simeon Collins - lonely and desperate for love - and the Mad Monk, a mythical god-man, who returns to Ireland, eager to find his long-dead brother Elijah.
The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus's novel has been translated into sixty languages and sold more than six million copies. It's the rare novel that's as at likely to be found in a teen's backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it. How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for "The Stranger", Alice Kaplan tells that story. In the process, she reveals Camus's achievement to have been even more impressive--and ...
A darkly comic, satirical reference book about writers who never made it into the literary canon A signal event of literary scholarship, The Biographical Dictionary of Literary Failure compiles the biographies of history’s most notable cases of a complete lack of literary success. As such, it is the world’s leading authority on the subject. Compiled in one volume by C. D. Rose, a well-educated person universally acknowledged in parts of England as the world’s pre-eminent expert on inexpert writers, the book culls its information from lost or otherwise ignored archives scattered around the globe, as well as the occasional dustbin. The dictionary amounts to a monumental accomplishment: the definitive appreciation of history’s least accomplished writers. Thus immortalized beyond deserving and rescued from hard-earned obscurity, the authors presented in this historic volume comprise a who’s who of the talentless and deluded, their stories timeless litanies of abject psychosis, misapplication, and delinquency. It is, in short, a treasure.
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Grubby realism, bedroom experimentalism, first loves, last loves, the loves in between, tunes drowned in noise, noise drowned in tunes, stabs in the darks, stabs in the light, snogs, songs, spurts and shoots, flashes forward, flashes back. Your emotions, your life, spun round, upside down, inside out, seen anew. Buzzcocks. Here are thirty-four pieces of writing inspired by the spirit of Pete Shelley. Love Bites is a anthology of fiction inspired by Pete Shelley and Buzzcocks. The collection consists of both short-fiction and even shorter flash-fiction in keeping with the immediacy and brevity of the 3-minute pop song and the one-note guitar solo.
"Pond's real achievement, in making us look for the 'real' narrator - and narrative - is to make us see everything around us and the things we often overlook, including and especially ourselves. Great literature doesn't point out where to look but how to see everything in a new light, as though we have made the discovery ourselves in a kind of imaginary derive." The Australian Bennett's debut is a slim volume that eschews traditional narrative conventions. It may be read as 20 mostly interlinked stories or as a novella fractured into twenty parts. It is narrated by a nameless woman living in a small cottage in rural Ireland. Its sections vary in length, with some as short as a few sentences,...
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