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Across the Continent
"Andrew J. Russell is primarily known as the man who photographed the famous "East and West Shaking Hands" image of the Golden Spike ceremony on May 10, 1869. He also took nearly one thousand other images that document almost every aspect of the construction of the Union PacificRailroad. Across the Continent is the most detailed study to date of the life and work of an often-overlooked but prolific artist who contributed immensely not only to documentation of the railroad but also to the nation's visualization of the American West and, earlier, the Civil War. The central focus in the book is on the large body of work Russell produced primarily to satisfy the needs of the Union Pacific. Danie...
Across the Continent
"Andrew J. Russell is primarily known as the man who photographed the famous "East and West Shaking Hands" image of the Golden Spike ceremony on May 10, 1869. He also took nearly one thousand other images that document almost every aspect of the construction of the Union PacificRailroad. Across the Continent is the most detailed study to date of the life and work of an often-overlooked but prolific artist who contributed immensely not only to documentation of the railroad but also to the nation's visualization of the American West and, earlier, the Civil War. The central focus in the book is on the large body of work Russell produced primarily to satisfy the needs of the Union Pacific. Danie...
Russell's Civil War Photographs
Gathers photos of arsenals, barracks, stables, railroad depots, prisons, forts, pontoon bridges, blockhouses, and Alexandria, Richmond, and Washington.
Iron Muse
The construction of the transcontinental railroad (1865–1869) marked a milestone in United States history, symbolizing both the joining of the country’s two coasts and the taming of its frontier wilderness by modern technology. But it was through the power of images—and especially the photograph—that the railroad attained its iconic status. Iron Muse provides a unique look at the production, distribution, and publication of images of the transcontinental railroad: from their use as an official record by the railroad corporations, to their reproduction in the illustrated press and travel guides, and finally to their adaptation to direct sales and albums in the late nineteenth and twentieth centuries. Tracing the complex relationships and occasional conflicts between photographer, publisher, and curator as they crafted the photographs’ different meanings over time, Willumson provides a comprehensive portrayal of the creation and evolution of an important slice of American visual culture.
Open Standards and the Digital Age
This book answers how openness became the defining principle of the information age, examining the history of information networks.
Contraception across Cultures
Contraception is an issue of considerable concern to a great many heterosexually active people. Yet the impact of contraceptive technologies in the world today, in particular their implications for kinship, gender relations, and other aspects of social life, receives relatively little scholarly attention. This book brings a new perspective to the study of contraception, by collecting together in one volume leading experts in the fields of contraception, family planning and reproductive health. Contributors look at the social, economic, political and cultural contexts in which contraceptive providers and recipients make decisions about whether and what forms of contraception to use. User pers...
Lens of War
This set of essays by twenty-seven historians of the Civil War describes a wide array of the war's photographs, examining them in unfamiliar ways.
Westward to Promontory
Consists of photos made by A. J. Russell in 1868 and 1869 and now in the collection of the Oakland (Calif.) Museum, with introductory, explanatory, and connecting text.
Print the Legend
Resurrecting scores of rare images of the 19th century American West, "Print the Legend" offers engaging tales of ambitious photographic adventurers, and misinterpreted images. Chronicling both the history of a place and the history of a medium, this book portrays how Americans first came to understand western photos and to envision their expanding nation. 138 illustrations.
