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Lutheran Churches in Early Modern Europe
Until recently the impact of the Lutheran Reformation has been largely regarded in political and socio-economic terms, yet for most people it was not the abstract theological debates that had the greatest impact upon their lives, but what they saw in their parish churches every Sunday. This collection of essays provides a coherent and interdisciplinary investigation of the impact that the Lutheran Reformation had on the appearance, architecture and arrangement of early modern churches. Drawing upon recent research being undertaken by leading art historians and historians on Lutheran places of worship, the volume emphasises often surprising levels of continuity, reflecting the survival of Cat...
A Guide to the Heavens
This book is available in open access thanks to the generous support of the Adam Mickiewicz University, Poznań This is the first monographic study of the reception of Herman Hugo's emblem book Pia desideria (1624) in the Polish-Lithuanian Commonwealth. It discusses ten different translations and adaptations, showing how the engravings, elegies and exegetical extracts of the original edition were used by Polish-speaking authors. Attention is also given to the reception of the engravings in paintings. Furthermore, the author examines the reasons for the book's popularity, proving that it was determined by the interest of women who did not know Latin, yet constituted the most important target group for the numerous and varied Polish adaptations.
The Glory of Venice
Venice, home of Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi, was the most artistic city of 18th-century Italy. This beautiful book examines the whole range of the arts in Venice during the period, including paintings, pastels and gouaches, drawings and watercolors, prints and illustrated books and sculpture. Beautifully illustrated.
The Polish-Lithuanian Commonwealth, 1733-1795
A major new assessment of the "vanished kingdom" of the Polish-Lithuanian Commonwealth--one which recognizes its achievements before its destruction Richard Butterwick tells the compelling story of the last decades of one of Europe's largest and least understood polities: the Polish-Lithuanian Commonwealth. Drawing on the latest research, Butterwick vividly portrays the turbulence the Commonwealth experienced. Far from seeing it as a failed state, he shows the ways in which it overcame the stranglehold of Russia and briefly regained its sovereignty, the crowning success of which took place on 3 May 1791--the passing of the first Constitution of modern Europe.
Lord Elgin and Ancient Greek Architecture
This book analyses the collection of archaeological drawings drawn in Greece by a team of artists and architects in the service of Lord Elgin.
Poland's Last King and English Culture
In Poland's Last King, Richard Butterwick reassesses the achievement of Poland's most controversial king. He shows how Stanislaw August's radical plans for constitutional reform and the renewal of Polish culture were profoundly influenced by his admiration of England, and examines the successes and limitations of the Polish Enlightenment.
Remarks on Architecture
At the end of the eighteenth century, the authors of Poland’s 3 May 1791 Constitution became the heirs to a defunct state whose territory had been partitioned by Russia, Prussia, and Austria. At this moment of intensive national postmortem, Ignacy Potocki, an eminent statesman and co-author of the Constitution, wrote the treatise Remarks on Architecture. One of the best-preserved examples of early modern Polish architectural thought, Potocki’s work announces itself as a project of national introspection, with architecture playing a direct role in the betterment of the nation. Addressed to the contemporary Polish nobility, the book argues that architecture is a vessel for cultural values ...
Mediating Religious Cultures in Early Modern Europe
In recent years, writing on early-modern culture has turned from examining the upheavals of the Reformation as the ruptured birth of early modernity out of the late medieval towards a striking emphasis on processes of continuity, transition, and adaptation. No longer is the ‘religious’ seen as institutional or doctrinaire, but rather as a cultural and social phenomenon that exceeds the rigid parameters of modern definition. Recent analyses of early-modern cultures offer nuanced accounts that move beyond the limits of traditional historiography, and even the bounds of religious studies. At their centre is recognition that the scope of the religious can never be extricated from early-moder...
Circa 1492
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
Imprisoned
In September 1979, at age fifty-six, writer and artist Arturo Benvenuti fueled up his motor home and set forth on what he knew would be an emotional journey. His plan—his own Viae Crucis—was to meet with as many former prisoners of Nazi-fascist concentration camps as he could. He wanted not only to learn their stories, but to learn from their stories. He met with dozens of survivors from Auschwitz, Terezín, Mauthausen-Gusen, Buchenwald, Dachau, Gonars, Monigo, Renicci, Banjica, Ravensbrück, Jasenovac, Belsen, and Gurs. Many of these men and women shared their memories with Benvenuti along with artwork they’d created during their internment with pencil, ink, and charcoal. After four decades of research, Benvenuti presented these original black-and-white pieces in Imprisoned. This stunning collection provides visuals that oftentimes even the most eloquent words and sentences cannot convey. In his foreword, chemist, writer, and Holocaust survivor Primo Levi highlighted the importance of these reproductions, stating, “some have the immediate power of art; all have the raw power of the eye that has seen and that transmits its indignation.”
