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But as Thierry Mariage makes clear in this detailed and lucid book, the garden style that Le Notre brought to perfection need not be seen in opposition to the later "English" one; rather, he claims, they represent two points along a continuum that exists between the natural and cultural worlds.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Pierre-André Liégé, one of the foremost French theologians of the 20th century, influenced John XXIII and Paul VI, and sat on Vatican II committees with both the future John Paul II and Benedict VI. Fifty years on from Vatican II is a good time to remember the decade of dramatic struggle and pioneering work that preceded it, and review what it accomplished. This book explores the life and work of Pierre-André Liégé, presenting it to an English speaking readership for the first time. Discussing the impact and profound challenges Liege’s work raises for spirituality and church life today, Bradbury tackles issues including: the organisation of parish life rooted in theological criteria;...
What World War I meant for architecture and urbanism writ large More than one hundred years after the conclusion of the First World War, the edited collection States of Emergency. Architecture, Urbanism, and the First World War reassesses what that cataclysmic global conflict meant for architecture and urbanism from a human, social, economic, and cultural perspective. Chapters probe how underdevelopment and economic collapse manifested spatially, how military technologies were repurposed by civilians, and how cultures of education, care, and memory emerged from battle. The collection places an emphasis on the various states of emergency as experienced by combatants and civilians across five continents—from refugee camps to military installations, villages to capital cities—thus uncovering the role architecture played in mitigating and exacerbating the everyday tragedy of war.
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