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The Prince in the Tower
Calderon de la Barca's La vida es sueno (1636) has proven to be more popular than any of Shakespeare's plays in a number of European countries during the last three centuries. This book is an attempt to capture the openness in contemporary scholarly discourse.
The Return of Astraea
In classical mythology Astraea, the goddess of justice, chastity, and truth, was the last of the immortals to leave Earth with the decline of the ages. Her return was to signal the dawn of a new Golden Age. This myth not only survived the Christian Middle Ages but also became a commonplace in the Renaissance when courtly poets praised their patrons and princes by claiming that Astraea guided them. The literary cult of Astraea persisted in the sixteenth century as writers saw in Elizabeth I of England the imperial Astraea who would lead mankind to peace through universal rule. This and other late flowerings of the Astraea myth should not be taken as the final phases of her history. Frederick ...
Reason and the Passions in the 'Comedias' of Calderón
Introduction In 1675, six years before the death of Calderon, Benedict de Spinoza began to circulate cautiously among his friends and colleagues in the Netherlands the manuscripts of what was to be published posthumously as the Ethics.
Ideal of the Courtly Gentleman in Spanish Literature:
In this study on the subject of the Spanish courtly gentleman of the sixteenth century, the author traces the courtly gentlemans life ideals as they appear first in Montalvos Amadis de Gaula and later in Il Cortegiano of Castiglione. The study also appraises what new perspectives and attitudes are at the center of Castigliones view of cortegiania and how these elements are reflected in other Spanish courtesy books subsequent to The Courtiers arrival and publication in Spain. In the last part of the book, the author deals with the theme of courtliness in Don Quixote and with Cervantess attitude toward the courtiers pursuits, aspirations, and lifestyle. He also analyzes, through the study of selected works of Caldern and Gracin, certain problems of self-perception, moral conscience, and outlook that distinguish the ideal man of the baroque age, as envisioned by these authors, from his renaissance counterpart. On the whole, the study points to the gradual change and process of secularization of the courtiers ideal during the sixteenth and seventeenth centuries and to the decline of traditional thought and myths about class limitations and human potential.
Humanistic Studies
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