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"Kathryn Crameri reveals some of the complex responses of writers and literary critics to the new possibilities for the expression of Catalan identities which resulted from Spain's transition from dictatorship to democracy. The study begins by considering the cultural and political context of the Catalan novel from the 'Renaixenca' to the present day, and then offers a detailed analysis of novels by four very different writers - Montserrat Roig, Manuel de Pedrolo, Juan Marse (who writes in Spanish) and Biel Mesquida - all of whom seem to share an underlying thematic preoccupation with both individual and national 'transitions' and the intricate relationship between language and identity. These writers challenge institutionalised visions of the link between Catalanism, the Catalan language and Catalan literature, and offer a more pluralistic and personalised version of what it is to call oneself a Catalan."
This volume offers a selection of essays on Catalan cultural studies that delves into the history and language of the Catalan-speaking lands. A combination of novel approaches from the literary, linguistic and educational fields contribute to offering a view of the Catalan-speaking lands in contemporary research trends.
This book presents the evolution of Catalan folk literature studies in each of the areas that make up the Catalan linguistic and cultural territories. The period considered stretches from the mid-nineteenth century, when the beginnings of a scientific interest in folklore emerged across Europe, to the present day.
The first book to explore how Catalan literature has depicted the social and cultural consequences of immigration in the twentieth century. Catalonia has for centuries been a destination for immigrants: first from neighboring regions, then from all over Spain, and in the last twenty-five years from the whole world. Currently, sixteen percent of the Catalan population was born outside Spain, and well over seventy-five percent of Catalans have a migrant origin. Yet the Catalans see themselves as a distinct society, and many of them are claiming political self-determination. Surveying the 1930s to the present, The Other Catalans provides a comprehensive examination of Catalan literature on immi...
This book presents a small chapter in the intellectual history of the Jews of Majorca. Its key figure is Elisha ben Abraham Bevenisti Cresques (1325-1387) a cartographer in the service of King Peter IV of Aragon and a scribe and illuminator of Hebrew books. Elisha Cresques' career evolves at a point in time when some of the most fascinating threads of methodological interests relevant to intellectual history meet. He emerges as a hub, so to speak, where mapmaking converged with scribal work, miniature painting with scientific knowledge, and the culture of a minority with that of the majority. How he was able to negotiate his patron's expectations and his own cultural identity and frame them within the political, cultural, and religious discourses of his time is the subject of this book.
Private Life holds up a mirror to the moral corruption in the interstices of the Barcelona high society Sagarra was born into. Boudoirs of demimonde tramps, card games dilapidating the fortunes of milquetoast aristocrats - and how they scheme to conceal them - fading manors of selfish scions, and back rooms provided by social-climbing seamstresses are portrayed in vivid, sordid, and literary detail. The novel, practically a roman-à-clef for its contemporaries, was a scandal in 1932. The 1960's edition was bowdlerized by Franco's censors. Part Lampedusa, part Genet, this translation will bring an essential piece of 20th-century European literature to the English-speaking public.
"Scholars of all periods and centuries who are interested in Iberian languages and letters will benefit from the book, and libraries both around the States and abroad will want to acquire it." (Patricia Hart, World Literature Today).
The topics treated in the Fourth Catalan Symposium - and assembled here together - range from general studies on modern Catalan poetry (Boehne), to more specific studies on a poet (Cocozzella on Agusti Bartra), a particular poem (Sola-Sole on El cant espiritual), a novel (Guasch on a novel by Antonia Vicens, and Gonzalez-Casanovas on a novel by Lluis Racionero) and modern Catalan folktales (Neugaard). The correspondence between the Catalan women writers Merce Rodoreda and Anna Muria is analyzed (Benejam Cobb), and the stylistic relationship between Pere Calders and Julio Cortazar (Barbera) is also discussed.