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Erotic Art
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Unpackaging Art of the 1980s
American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art. Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian ...
Sex on the Couch
At just the moment when many people are ready to throw Freud on to the ash-heap of intellectual history, Sex on the Couch rescues from Freud's theories a fascinating series of reflections on the nature of sexuality and gender. Richard Boothby presents here a fresh and engaging view of Freud. Sex on the Couch offers new insights into our concepts of masculinity and femininity, placing them in relation to Freud's theory of the Life and Death drives. Richard Boothby also engages feminist critiques of Freud, putting forward new and specific responses to questions that have shaped contemporary understanding of feminism and psychoanalysis. Boothby's Freud, far from being pass, is in possession of insights that enrich our understanding of modernity and its distinctive character. In a refreshingly readable style, Richard Boothby writes here not only for the scholarly reader but for the student and lay reader curious about Freud's theories and their use in contemporary world.
Before the Bauhaus
Publisher Description
Permission to Laugh
Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 196...
Baroque Tendencies in Contemporary Art
Baroque Tendencies in Contemporary Art is a collection of essays by an international cadre of scholars addressing current trends within the field of contemporary art and how artists and architects reflect upon past traditions and fold them into the present. Often referred to as the Neo-Baroque, scholarship on this topic first emerged in the 1980s with the publication of several notable studies in France (but not translated into English until the 1990s); in addition, a number of recent exhibitions have focused on contemporary responses to the Baroque. The Baroque and the Neo-Baroque are frequently defined as having a propensity for instability, seriality, reflexivity, fluidity, and spectacle....
The Avars
"Though the book was first published in German in 1988, this English version includes many revisions and updates and will be the definitive English-language study of the Avar empire for years to come. It will be invaluable for those interested in medieval history or in the impact of nomadic steppe empires on sedentary civilizations." ― Choice The Avars arrived in Europe from the Central Asian steppes in the mid-sixth century CE and dominated much of Central and Eastern Europe for almost 250 years. Fierce warriors and canny power brokers, the Avars were more influential and durable than Attila's Huns, yet have remained hidden in history. Walter Pohl's epic narrative, translated into English...
New Makers of Modern Culture
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of ...
