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How many composers, songwriters and lyricists wrote music in the twentieth century?? Who were they?? This first edition identifies more than 14,000 people who did so, and all are listed in this eBook alphabetically along with a hyperlink to their Wikipedia biographical data. Performers of blues, folk, jazz, rock & roll and R&B are included by default. PLEASE NOTE: THE HYPERLINKS IN THIS BOOK ONLY FUNCTION ON GOOGLE PLAY aka THE 'FLOWING' VERSION. The hyperlinks in this book DO NOT CURRENTLY FUNCTION on the GOOGLE BOOKS ' FIXED' version.
Con l'ingresso dell'Italia nel primo conflitto mondiale i direttori dei periodici teramani affidarono al Corriere Abruzzese la pubblicazione di un Bollettino della Guerra, il cui primo numero uscì il 30 maggio 1915, con l'intento di «esaudire un voto non solo del Comitato per l'organizzazione Civile, ma della cittadinanza, desiderosa di essere tenuta sollecitamente informata dalle notizie di guerra». Inoltre il Corriere si fece promotore di un abbonamento eccezionale per i soldati, i quali potevano ricevere il periodico due volte la settimana; l'iniziativa ebbe grande successo e presto iniziarono ad essere pubblicate le numerosissime lettere che giungevano dal fronte, ed alle quali le pagine del periodico dedicò largo spazio (soprattutto nei primi due anni del conflitto) nella rubrica "Il saluto dei nostri soldati". La presente pubblicazione è un'antologia di lettere ed articoli pubblicati negli anni del conflitto. Indice: La guerra raccontata dalle pagine del Corriere; Lettere dal fronte; Articoli ed episodi di guerra; Elenco degli articoli pubblicati sul Corriere Abruzzese; Elenco alfabetico dei militari che hanno scritto dal fronte; Indice dei personaggi.
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Replete with shady merchants, scoundrels, hungry mercenaries, scheming nobles, and maneuvering cardinals, The Man Who Believed He Was King of France proves the adage that truth is often stranger than fiction—or at least as entertaining. The setting of this improbable but beguiling tale is 1354 and the Hundred Years’ War being waged for control of France. Seeing an opportunity for political and material gain, the demagogic dictator of Rome tells Giannino di Guccio that he is in fact the lost heir to Louis X, allegedly switched at birth with the son of a Tuscan merchant. Once convinced of his birthright, Giannino claims for himself the name Jean I, king of France, and sets out on a braveâ€...
Siena, blessed with neither the aristocratic nor the ecclesiastical patronage enjoyed by music in other northern Italian centers like Florence, nevertheless attracted first-rate composers and performers from all over Europe. As Frank A. D'Accone shows in this scrupulously documented study, policies developed by the town to favor the common good formed the basis of Siena's ambitious musical programs. Based on decades of research in the town's archives, D'Accone's The Civic Muse brilliantly illuminates both the sacred and the secular aspects of more than three centuries of music and music-making in Siena. After detailing the history of music and liturgy at Siena's famous cathedral and of civic music at the Palazzo Pubblico, D'Accone describes the crucial role that music played in the daily life of the town, from public festivities for foreign dignitaries to private musical instruction. Putting Siena squarely on the Renaissance musical map, D'Accone's monumental study will interest both musicologists and historians of the Italian Renaissance.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Piecing together the story of Piero's artistic and mathematical achievements with the story of his life for the first time, a book that at last brings this fascinating Renaissance enigma to life.