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Theatrical Space and Historical Place in Sophocles' Oedipus at Colonus
While Greek tragedies are often studied as works of literature, they are less frequently examined as products of the social and political environment in which they were created. Rarely, too, are the visual and spatial aspects of these plays given careful consideration. In this detailed and innovative book, Lowell Edmunds combines two readings of Oedipus at Colonus to arrive at a new way of looking at Greek tragedy. Edmunds sets forth a semiotic theory of theatrical space, and then applies this theory to the visual and spatial dimensions of Oedipus at Colonus. The book includes an Appendix on the life of Sophocles and the reception of Oedipus at Colonus. Edmunds's unique approach to Oedipus at Colonus makes this an important book for students and scholars of semiotics, Greek tragedy, and theatrical performance.
The Blinded Eye
Thucydides, the patron saint of Realpolitik, continues to be read in many fields outside of classics. Why did his History succeed in setting the pattern for future scholars where Hereodotus's earlier Histories failed? In this fascinating study of the construction of intellectual authority, Gregory Crane argues that Thucydides was successful for two reasons. First, he refined the language of administration: Who was in charge? How much money was spent? How many people were killed? Second, he drew upon the abstract philosophical rhetoric developing in the fifth century, one in which the state and the public, rather than the family and the individual, stand at the center of the world. Ironically, it was through deeply personal alliances that aristocratic Greeks had defined themselves and exerted power. Thucydides's discursive practice was therefore fundamentally incompatible with his ideological goals.
Speech in Speech
Speech in Speech explores the techniques by which Classical Greek texts written primarily for public performance weave in direct quotations (oratio recta) of "other voices"-imagined or real. This "speech in speech" is usually perceived as endowed with a greater vividness and authenticity than indirect quotation, even when the words report what someone might say, or enliven the verbal texture of plays and speeches, and examines the intricate relation of direct quotations to their "originals". As the first synoptic and detailed study of oratio recta in Classical Greek literature, Speech in Speech will be useful to anyone interested in ancient literary technique.
The Philosophical Stage
A bold new reconception of ancient Greek drama as a mode of philosophical thinking The Philosophical Stage offers an innovative approach to ancient Greek literature and thought that places drama at the heart of intellectual history. Drawing on evidence from tragedy and comedy, Joshua Billings shines new light on the development of early Greek philosophy, arguing that drama is our best source for understanding the intellectual culture of classical Athens. In this incisive book, Billings recasts classical Greek intellectual history as a conversation across discourses and demonstrates the significance of dramatic reflections on widely shared theoretical questions. He argues that neither "literature" nor "philosophy" was a defined category in the fifth century BCE, and develops a method of reading dramatic form as a structured investigation of issues at the heart of the emerging discipline of philosophy. A breathtaking work of intellectual history by one of today's most original classical scholars, The Philosophical Stage presents a novel approach to ancient drama and sets a path for a renewed understanding of early Greek thought.
Theatre and Metatheatre
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings...
Greek Modernism and Beyond
Although it is one of the most dynamic and controversial areas of Greek culture, Greek modernism has received little scholarly attention as a literary and cultural phenomenon. A wide variety of competing, often clashing discourses and approaches characterize the study of Greek modernism. In this landmark volume, scholars from three continents provide a framework in which developments in prose, poetry, and drama can be studied together. The contributors seek to redefine the contours of Greek modernism, to reassess its impact on Greek culture, to explore the fringes of the movement. Special attention is paid to the role of the avant-garde in Greece and the emergence of postmodern trends in Greek culture. Greek Modernism and Beyond is valuable reading for students and scholars of Greek and European literature.
Sophocles, 1
Jealousy and suicide, love and passion, grief and intrigue, honor and deceit are the order of the day in four of Sophocles's great tragedies. The Penn Greek Drama Series presents original literary translations of classical Greek drama. The aim of the series is to make both the works and their interpretations accessible to the reading public.
Aglaia
In this landmark collection of essays, renowned classicist Charles Segal offers detailed analyses of major texts from archaic and early classical Greek poetry; in particular, works of Alcman, Mimnermus, Sappho, Pindar, Bacchylides, and Corinna. Segal provides close readings of the texts, and then studies the literary form and language of early Greek lyric, the poets' conception of their aims and their art, the use of mythical paradigms, and the relation of the poems to their social context. A recurrent theme is the recognition of the fragility and brevity of mortal happiness and the consciousness of how the immortality conferred by poetry resists the ever-threatening presence of death and oblivion, fixing in permanent form the passing moments of joy and beauty. This is an essential book for students and scholars of ancient Greek poetry.
Poet and Audience in the Argonautica of Apollonius
In this innovative study of the Argonautica, Robert Albis examines structural elements of the text that recreate phenomena associated with composers and performers of epic much earlier in the Greek tradition. Such phenomena include the effect of divine inspiration on the performer, and the empathy thus created among the audience, performer, and characters of the poetry. Albis focuses on the invocations of the Argonautica, arguing that these passages reveal the poet's attempts to associate himself and the audience with the activity within the poem. Albis' approach to the Argonautica is important because it makes use of theoretical approaches to poetry while still concentrating on the place of the poet and epic poetry in contemporary Greek culture, and on the tradition the poet had inherited. This fascinating study, which includes analyses of the Homeric influence on Apollonius and Apollonius' influence on Virgil, will be of interest to scholars of ancient epic, Greek poetry, and Hellenistic Greek culture.
