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Indigenous Women and Feminism
Can the specific concerns of Indigenous women be addressed by mainstream feminism? Indigenous Women and Feminism proposes that a dynamic new line of inquiry – Indigenous feminism – is necessary to truly engage with the crucial issues of cultural identity, nationalism, and decolonization particular to Indigenous contexts. Through the lenses of politics, activism, and culture, this wide-ranging collection crosses disciplinary, national, academic, and activist boundaries to explore deeply the unique political and social positions of Indigenous women. A vital and sophisticated discussion, these timely essays will change the way we think about modern feminism and Indigenous women.
“Mouths on Fire with Songs”.
This book, the first cross-cultural study of post-1970s anglophone Canadian and American multi-ethnic drama, invites assessment of the thematic and aesthetic contributions of this theater in today’s globalized culture. A growing number of playwrights of African, South and East Asian, and First Nations heritage have engaged with manifold socio-political and aesthetic issues in experimental works combining formal features of more classical European dramatic traditions with such elements of ethnic culture as ancestral music and dance, to interrogate the very concepts of theatricality and canonicity. Their “mouths on fire” (August Wilson), these playwrights contest stereotyped notions of a...
Critical Perspectives on Contemporary Plays by Women
Explores how women playwrights illuminate the contemporary world and contribute to its reshaping
The Cambridge Companion to Native American Literature
An informative and wide-ranging overview of Native American literature from the 1770s to present day.
Theatre History Studies 2016, Vol. 35
Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter / Reviewed by Danny Devlin
Indigenous North American Drama
Traces the historical dimensions of Native North American drama using a critical perspective.
Horizons of Traumatic Brain Injury Recovery
Horizons of Traumatic Brain Injury Recovery This book tells the story of the worst possible human injury — brain trauma — but with a full recovery. A surface read finds a medical case study. Below the surface lives an uncommon love story. But at the deepest level is a story of faith in God, determined hard work and recovery. The injury occurred as a young man impaired on marijuana turned right on red and struck the 69-year-old pedestrian in the crosswalk. To relieve high intracranial pressure, surgeons removed a hemisphere of Martha’s skull. They evacuated large intracerebral hematomas caused by the contusion where the car struck her right temporal lobe. Severe traumatic brain injury r...
Theatre History Studies 2008, Vol. 28
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
