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The Lion and the Swastika is a story of the brutalities of war brought home to a young girl by the fall of Mussolini in 1943 and the consequent Nazi occupation of the entire Veneto region. This is also a romantic story set against the backdrop of terrible war and of a beautiful ancient city - Venice, fascinating in all seasons, from the flowering of spring to the winter magic of snow and high tide. But it is also the story of the awakening of a young woman to the cruelty in the world and the necessity of taking radical action in defense of her ideals and the freedom of her beloved country. In Venice the emblem of the winged Lion of Saint Mark, for centuries the symbol of the glorious Venetian Republic, is still the symbol of the unyielding Venetian people. This story, based on my own experience, is one told here to inspire those who fight for love and freedom.
The Routledge Companion to Global Chaucer offers 40 chapters by leading scholars working with contemporary, theoretical, and textual approaches to the poetry and prose of Geoffrey Chaucer (c. 1340–1400) in a global context. This volume is an ideal starting point for beginners, offering contemporary perspectives to Chaucer both geographically and intellectually, including: • Exploration of major and lesser-known works, translations, and lyrics, such as The Canterbury Tales and Troilus and Criseyde • Spatial intersections and external forms of communication • Discussion of identities, cognitions, and patterns of thought, including gender, race, disability, science, and nature. The Routledge Companion to Global Chaucer also includes a section addressing ways of incorporating its material in the classroom to integrate global questions in the teaching of Chaucer’s works. This guide provides post-pandemic, twenty-first century readers a way to teach, learn, and write about Chaucer’s works complete with awareness of their reach, their limitations, and occlusions on a global field of culture.
Every 3rd issue is a quarterly cumulation.
An extremely thorough, expertly compiled and crisply annotated comprehensive bibliography of Chaucer scholarship between 1997 and 2010
Geoffrey Chaucer wrote at a turning point in the history of timekeeping, but many of his poems demonstrate a greater interest in the moral dimension of time than in the mechanics of the medieval clock. Chaucer and the Ethics of Time examines Chaucer’s sensitivity to the insecurity of human experience amid the temporal circumstances of change and time-passage, as well as strategies for ethicising historical vision in several of his major works. While wasting time was sometimes viewed as a sin in the late Middle Ages, Chaucer resists conventional moral dichotomies and explores a complex and challenging relationship between the interior sense of time and the external pressures of linearism and cyclicality. Chaucer’s diverse philosophical ideas about time unfold through the reciprocity between form and discourse, thus encouraging a new look at not only the characters’ ruminations on time in the tradition of St Augustine and Boethius, but also manifold narrative sequences and structures, including anachronism.
"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.
The earthy, sun-kissed flavors of Mediterranean cooking. The trendsetting tastes of East-West fusion food. The comforting familiarity of vintage Americana favorites. The delicate, fragrant appeal of Pan-Asian dishes. You'll find them all here in this, the fifth-anniversary edition of The Flavors of Bon Appetit. Pull out your culinary passport and ready yourself for a journey that will take you through all of the most important, most delicious trends and tastes of the year, in more than 200 exciting, easy-to-make recipes. Using this beautiful book as a guide, travel with the editors of Bon Appetit Magazine as they explore the luscious cooking of the Italian countryside and other regions borde...
The Profession of Widowhood explores how the idea of ‘true’ widowhood was central to pre-modern ideas concerning marriage and of female identity more generally. The medieval figure of the Christian vere vidua or “good” widow evolved from and reinforced ancient social and religious sensibilities of chastity, loyalty and grief as gendered ‘work.’ The ideal widow was a virtuous woman who mourned her dead husband in chastity, solitude, and most importantly, in perpetuity, marking her as “a widow indeed” (1 Tim 5:5). The widow who failed to display adequate grief fulfilled the stereotype of the ‘merry widow’ who forgot her departed spouse and abused her sexual and social freed...
First full study of Chaucer's readings and translations of Petrarch suggests a far greater influence than has hitherto been accepted.