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Queer Moving Images' includes texts, talks, films, music and lectures, all of which concern issues surrounding the moving image in a queer context.0Essays such as Amelie Björck?s 'To come into being in a queer time' and Louise Wolthers? 'Queering the family: images of reproduction' both make links to the film 'Spermwhore', the creation process of which is outlined in 'On Research In What's Most Private' by Anna Linder. The somewhat overlooked film 'Mai Zetterling's Stockholm' is discussed in detail within. Ingrid Ryberg's article further contributes to the knowledge of the unique Swedish film scene in the 70s by addressing films such as 'Damned Queers', 'The woman in your life is you' and 'Eva & Maria'. 0The volume also includes moving images; the film 'Spermwhore' and Barbara Hammer's lecture 'Making Movies out of Se x and Life' (and making it all transparent).0.
Navy blue cloth bound with gold foil
"San Francisco's Queen of Vice uncovers the story of one of the most skilled, high-priced, and corrupt abortion entrepreneurs in America. Even as Prohibition was the driving force behind organized crime, abortions became the third-largest illegal enterprise as state and federal statutes combined with changing social mores to drive abortionists into hiding. Inez Brown Burns, a notorious socialite and abortionist in San Francisco, made a fortune providing her services to desperate women throughout California. Beginning in the 1920s, Burns oversaw some 150,000 abortions until her trial and conviction brought her downfall. In San Francisco's Queen of Vice, Lisa Riggin tells the story of the rise...
Switzerland-Canton of Bern; Meiringen, 1500-1800ds-Brienz, 1600-1900ds/Canada-Alberta,USA-KS, WIS, AK, CA, PA, NY, ILL, MT, WV. Some of the families included are: Heinrich Linder, wife Lucy Buehler, Robert Linder, wife Margaritha Stahi (Stohli), Herminia Linder, husband Edward Fagan, Alfred Linder, wife Rosa Borter, Hermann Linder, wife Marie Berger. Many related families are given the book.
What makes curating feminist organizing? How do curators relate to contemporary feminist concerns in their local conditions and the globalized artworld? The book brings together twenty curatorial case studies from diverse regions of the globe. Reflecting their own curatorial projects or analyzing feminist-inspired exhibitions, the authors in this book elaborate feminist curating as that which is inspired to challenge gender politics not only within but also beyond the doors of the museum and gallery. Connecting their wider feminist politics to their curatorial practices, the book provides case studies of curatorial practice that address the legacies of racialized and ethnic violence, includi...