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A critical survey of nine documentary photographers who were at the cutting edge of this form of journalism during the second half of the 20th century, 'Engaged Observers' shows how since the sixties photographers such as Leonard Freed & Susan Meiselas have challenged the conventional objectivity of the newsroom.
The fascinating life and work of an artist who captured some of the first photographs of the Far East are presented in this gorgeous volume.
Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable cityscape through which that river winds.
Accompanies an exhibition held at the J. Paul Getty Museum, 8 February-1 May 2011.
The celebrated French artist Edme Bouchardon (1698–1762) is primarily known as a sculptor today, but his contemporaries widely lauded him as a draftsman as well. Talented, highly innovative, and deeply invested in the medium, Bouchardon made an important contribution to the European art and culture of his time, and in particular to the history of drawing. Around two thousand of his drawings survive—most of which bear no relation, conceptual or practical, to his sculpture—yet, remarkably, little scholarly attention has been paid to this aspect of his oeuvre. This is the first book-length work devoted to the artist’s draftsmanship since 1910. Ambitious in scope, this volume offers a co...
«History has to reorient», as the historian and sociologist Andre Gunder Frank observed. In the global or globalised age, a culture is no longer regarded as a discrete entity, but rather as a hybrid formation that interacts with other cultures in an incessant process of multidirectional exchange. Bringing together «Eastern» and «Western» case studies ranging from the seventeenth to the twenty-first centuries, this volume reminds historians that to conduct transcultural analyses they need to be alert to the multiple ways, comic intents included, in which difference is negotiated within contacts and encounters – from selective appropriation to rejection or resistance.
"This volume evolved from "Zoom out: the making and the unmaking of the 'Orient' through photography," held at the Getty Research Institute, Los Angeles, May 6-7, 2010"--ECIP data view.
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other gen...
This text is an introduction to the physics of collisional plasmas, as opposed to plasmas in space. It is intended for graduate students in physics and engineering . The first chapter introduces with progressively increasing detail, the fundamental concepts of plasma physic. The motion of individual charged particles in various configurations of electric and magnetic fields is detailed in the second chapter while the third chapter considers the collective motion of the plasma particles described according to a hydrodynamic model. The fourth chapter is most original in that it introduces a general approach to energy balance, valid for all types of discharges comprising direct current(DC) and high frequency (HF) discharges, including an applied static magnetic field. The basic concepts required in this fourth chapter have been progressively introduced in the previous chapters. The text is enriched with approx. 100 figures, and alphabetical index and 45 fully resolved problems. Mathematical and physical appendices provide complementary information or allow to go deeper in a given subject.
A richly illustrated volume examines the portrait work of Dorthea lange, Richard Avedon, Robert Weingarten, George K. Warren, Julia Margaret Cameron, the Barr & Wright Studio, Gertrude Käseebier, Nickolas Muray, Henry Horenstein, and Lauren Greenfiled. The Changing Face of Portrait Photography explores the power of the portrait and the role it plays in our personal and national identities. The Changing Face of Portrait Photography explores ten groups of portraits selected from within the Smithsonian National Museum of American History's Photographic History Collection. The selections represent work by specific photographers with diverse relationships to portraiture, and through their sampling take a focused look at changing convention, theory, and technologies.