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The Winter Vault
From the Orange Award-winning writer of Fugitive Pieces 'Michaels is a novelist of unusual and compelling power' The Times 'Read this book like poetry, or rather hear it like music ... Anne Michaels guides us to the top of some extraordinary peaks of feeling and perception' Independent 'Writing of dangerously beautiful intensity ... magnificent' Sunday Telegraph ______________________ Egypt, 1964. The great temple at Abu Simbel must be dismantled and resurrected high above the rising waters of the Aswan Dam. This daunting task is overseen by Avery, a young engineer who, at the same time, is carefully building a life with his new wife, Jean. But not everything can be saved once the floodgates...
All We Saw
From the internationally celebrated author of Fugitive Pieces and the Griffin Poetry Prize-shortlisted collection Correspondences—and Toronto's Poet Laureate—comes a profoundly moving new collection of poetry of love and memory. In All We Saw, Anne Michaels returns to poetry with strikingly original lyrics to explore one of her essential concerns: "what love makes us capable of, and incapable of." In this passionate, piercing short collection, dedicated to the late Mark Strand, Michaels explores "love's dare / love's repair / a single stitch." In lyrics that ponder what happens to the bodies of lovers—so vital when together, different when apart, death coming to one before the other—...
The Adventures of Miss Petitfour
The magical adventures of an eccentric Mary Poppins-esque heroine and her flying feline charges, sure to charm readers big and small. The first book for children by an internationally acclaimed novelist and poet. Miss Petitfour enjoys having adventures that are "just the right size - fitting into a single, magical day." She is an expert at baking and eating fancy iced cakes, and her favorite mode of travel is par avion. On windy days, she takes her sixteen cats out for an airing: Minky, Misty, Taffy, Purrsia, Pirate, Mustard, Moutarde, Hemdela, Earring, Grigorovitch, Clasby, Captain Captain, Captain Catkin, Captain Cothespin, Your Shyness and Sizzles. With the aid of her favorite tea party t...
Correspondences
A rare and beautifully produced "accordion" book by renowned novelist and poet Anne Michaels and acclaimed artist and writer Bernice Eisenstein that will cause a stir for both its form and its content. Anne Michaels's resonant book-length poem--which unfolds on one side of the pages of this accordion book--ranges from the universal to the intimate, as she writes of historical figures for whom language was the closest thing to salvation; on the other side, we have Bernice Eisenstein's luminous portraits of and quotes from such twentieth-century writers and thinkers as Paul Celan, Nelly Sachs, W. G. Sebald, Anna Akhmatova, Primo Levi, and Albert Einstein. The poetry and portraits join together in a dialogue that can be read in any direction and any order, in a format that perfectly reflects the thematic interconnectedness of this collaboration: "an alphabet of spirits and spirit; an elegy of remembrance" (Eisenstein); "just as a conversation becomes the third side of the page . . . the moment one life becomes another" (Michaels).
Railtracks
The book takes the form of a dialogue between the two authors, here rendered simply as J and A, infusing them with a fictive resonance as well as the weight of their reputations, accomplishments and autobiographies. Railtracks is a unique collaboration, a profound meditation on exile and migration, separation and consolation, reunions and railways, love and loss. It moves from the industrial to the metaphysical. And from the present to a past that still exists in vivid, essential traces. It asks what we carry with us when we must leave everything behind. It fuses longing and intimacy, distance and presence. Railtracks is the original text of the London stage production, Vanishing Points, performed by the authors and Theatre Complicite, and directed by Simon McBurney.
Infinite Gradation
Infinite Gradation is an astonishing meditation on the moral, emotional, and philosophical implications of love and the creative act, especially those creative works that, as George Steiner has said, "make a deposit in the bank of terror." Michaels has chosen to draw on that "bank" - to embrace life through an unblinking confrontation with the terror that is death in our time - by speaking through the work of three great artists, recently dead, who were her confidants: the sculptor Eva Hesse, the painter Jack Chambers, and Claire Wilks, print maker and sculptor "who could draw like few others."
Poems
Prior to her stunning first novel, Fugitive Pieces, Anne Michaels had already won awards and critical acclaim for two books of poetry: The Weight of Oranges (1986), which won the Commonwealth Prize for the Americas, and Miner's Pond (1991), which received the Canadian Authors Association Award and was short-listed for the Governor General's Award and the Trillium Award. Although they were published separately, these two books, along with Skin Divers, a collection of Michaels's newest work, were written as companion volumes. Poems brings all three books together for the first time, creating for American readers a wonderful introduction to Anne Michaels's poetry. Meditative and insightful, powerful and heart-moving, these are poems that, as Michael Ondaatje has written, "go way beyond games or fashion or politics . . . They represent the human being entire."
Held
A breathtaking and mysterious novel from the beloved Anne Michaels, internationally bestselling author of Fugitive Pieces and The Winter Vault. 1917. On a battlefield near the River Escaut[RR1] , John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory—a chance encounter in a pub by a railway, a hot bath with his lover on a winter night, his childhood on a faraway coast—as the snow falls. 1920. John has returned from war to North Yorkshire, near another river—alive, but not whole. Reunited with Helena, an artist, he reopens his photography business and endeavours to keep on living. But the past erupts insistently int...
Skin Divers
Skin Divers is award-winning writer Anne Michaels’ dazzling third book of poems. These poems develop the concern with love, transience, and memory evident in her earlier work, and at the same time signal a definitive turning point towards a new thematic landscape. Michaels is a writer whose thoughts take shape in sensuous images, verbal music, and sinuous lines. Her short lyrics, like the longer monologues based on the lives of historical figures, explore an inner world fluid with feeling and memory. They reveal complex climates of emotion and sentiment, yet remain unsparing and unsentimental. As in the best poetry of our time, the luminous calm at the heart of her vision also registers the pressure of the darkness in our lives that has been momentarily withstood. These powerful poems, tense with desire and “divided longings,” remind us that Anne Michaels is among the most original poets of her generation.
Katherine Carlyle
In the late 80s, Katherine Carlyle is created using IVF. Stored as a frozen embryo for eight years, she is then implanted in her mother and given life. By the age of nineteen Katherine has lost her mother to cancer, and feels her father to be an increasingly distant figure. Instead of going to college, she decides to disappear, telling no one where she has gone. What begins as an attempt to punish her father for his absence gradually becomes a testing-ground of his love for her, a coming-to-terms with the death of her mother, and finally the mise-en-scene for a courageous leap from false empowerment to true empowerment. Written in the beautifully spare, lucid and cinematic prose that Thomson is known for, Katherine Carlyle uses the modern techniques of IVF and cryopreservation to throw new light on the myth of origins. It is a profound and moving novel about where we come from, what we make of ourselves, and how we are loved.
