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In her feminist polemic, ‘A Room of One’s Own’, Virginia Woolf famously wrote of the (comparatively recent) literary tradition of female writers: ‘we think back through our mothers if we are women.’ Woolf’s major literary mothers were those women novelists writing during the Victorian period and earlier. Virginia Woolf and the Lives, Works, and Afterlives of the Brontës examines all of Woolf’s writings on the Brontës, across a wide range of genres: juvenilia, novels, literary essays, feminist polemics, diaries and letters. This proves particularly fruitful as Woolf herself was both a creative artist and a literary critic. As a woman, she was ambivalent towards the Victorian w...
A new look at a revolutionary writer, a diverse imperial city, and a controversial trick on the Royal Navy.In February 1910, the future Virginia Woolf played the most famous practical joke in British military history. Blackening her face and masquerading as an Abyssinian prince, the young writer and her friends conned their way onto HMS Dreadnought, the Empire's most powerful battleship. The stunt made headlines around the world, embarrassed the Admiralty, and provoked debate in Parliament. But who was the 'girl prince' unidentified at the time, and what was she doing there?The Girl Prince intertwines three fascinating stories: a scandalous prank and its afterlife; Woolf's ideas about race a...
Motherhood is a recurrent theme in Virginia Woolf's writing yet Woolf scholarship has often overlooked this dynamic subject. Exploring how Woolf engaged with themes of motherhood as a socially and politically motivated writer and a woman, this book grounds her work in the maternal discourses of her time. By reading Woolf's texts in dialogue with contemporary writing, socio-political events and medical and scientific advances, Virginia Woolf and Motherhood establishes the significance of maternity across Woolf's oeuvre and exposes how public and personal matters of motherhood informed the links she drew between maternity, femininity, self-worth and artistry. With novel analysis of Woolf's writing on war, eugenics, food and psychoanalysis, Charlotte Taylor Suppe demonstrates the substantive influence maternal discourses had on shaping Woolf's feminism, political beliefs and creative practices.
Announcements for the following year included in some vols.
This edition is for students and academics of Woolf's works. It aims to be as comprehensive as possible in providing an authoritative text, hundreds of explanatory notes and an extensive introduction describing the composition of the novel and its critical reception 1922-41.
Argues that the Bloomsbury group's fascination with beasts was integral to their exploration of imperialism, race, gender, sexuality and technology.
This book offers an extensive analysis of Woolf's engagement with science, tracing the application of scientific concepts to questions of identity.
This book identifies water as the key element of Virginia Woolf’s modernist poetics. The various forms, movements, and properties of water inspired Woolf’s writing of reality, time, and bodies and offered her an apt medium to reflect on the possibilities as well as on the exhaustion of her art. As a deeply intertextual writer, Woolf recognised how profoundly water has shaped human imagination and the landscape of the literary past. In line with recent ecocritical and ecofeminist assessments of her works, this book also shows Woolf’s attraction to water as part of an indifferent nature that exists prior to and beyond the symbolic. Through close analyses that span the whole of Woolf’s oeuvre, and that centre on the metaphorical and the material voices of water in her works, Modernist Waterscapes offers a fresh perspective on a writing that is as versatile as the element from which it draws. The monograph addresses postgraduate students and scholars working in modernist studies and Woolf studies in particular.
"For decades, Virginia Woolf's work has been seen as part of the "women's writing" canon. Elizabeth Abel extracts Woolf from this women's tradition to position her in a different light, one that shows Woolf's role in a far-reaching modernist genealogy. Abel traces the strong echoes of Woolf in the work of four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. As Abel shows, what Woolf called the "odd affinities" between herself and these successors give us an altogether different picture of the development of transnational modernism, with Woolf as a shadowy but important connection among disparate writers. By charting new pathways of twentieth-century literary transmission, Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, and African American studies"--