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A vivid biography of an African Edwardian chronicler of London, in a time of social upheaval.
A new look at a revolutionary writer, a diverse imperial city, and a controversial trick on the Royal Navy.In February 1910, the future Virginia Woolf played the most famous practical joke in British military history. Blackening her face and masquerading as an Abyssinian prince, the young writer and her friends conned their way onto HMS Dreadnought, the Empire's most powerful battleship. The stunt made headlines around the world, embarrassed the Admiralty, and provoked debate in Parliament. But who was the 'girl prince' unidentified at the time, and what was she doing there?The Girl Prince intertwines three fascinating stories: a scandalous prank and its afterlife; Woolf's ideas about race a...
This dissertation attempts to answer the question: Can experimental results be used as arguments in the philosophical debates? In particular, can the results of experimental psychology and cognitive neuroscience be applied in normative philosophy such as aesthetics? The greatest motivation in starting this project was to determine the relationship between highly abstract, general and/or normative problems of philosophy on one hand, and the descriptive and highly specific and detailed results of the experimental research on the other hand. I chose aesthetics of music as a case study because it seemed particularly convenient for this kind of enterprise. It is built upon an assortment of abstra...
We need reasons to write. Specific, tangible reasons give creativity a chance against a blustering, attention-grabbing world. The Whimsical Muse provides eighty-four concrete reasons to write. Eighty-four exercises that you can begin right now. They require no planning or preparation. Just open the book and go. In under a minute, your creative juices will be flowing. All of the prompts here can be adapted to suit the moment. Each one has two parts: "Quick" and "Lingering." If you are really strapped for time, opt for a "Quick" activity that can be done in a matter of minutes. Don't be surprised if your energy and your spirits lift as you start working. It turns out that getting words on the page ignites our gusto and fearlessness. And I predict it won't take long for you to see your imagination for the remarkable resource it is. Remember: the more you use your imagination, the more imagination you'll have, and the more you'll write.
Woolf Editing / Editing Woolf focuses on Woolf as editor both of her own work and of the Hogarth Press, and on editing Woolf—on the conflation of textual and theoretical criticism of Woolf’s oeuvre. Since many contributors are editors, creative writers, and critics, contributions highlight the intersections of those three roles. The essays variously addressed the “granite” of close textual reading and the “rainbow” of theoretical approaches to Woolf’s writings. Several more flexible versions of editing emerge in the papers that discuss adaptations of Woolf to film, theatre, and music. Brenda Silver’s contribution in memory of Julia Briggs opens the volume, and James Haule’s contribution concludes it.
This volume supplements the acclaimed three volume set published in 1986 and consists of an annotated listing of American Studies monographs published between 1984 and 1988. There are more than 6,000 descriptive entries in a wide range of categories: anthropology and folklore, art and architecture, history, literature, music, political science, popular culture, psychology, religion, science and technology, and sociology.
Transforming English Studies provides a uniquely interdisciplinary view of English studies’ “crises”—both real and imagined--and works toward resolving the legitimate pathologies that threaten the sustainability of the discipline.
'We shall therefore confine our walk to Central London where people meet on business during the day, and to West London where they meet for pleasure at night. If you will walk about the first City in the British Empire arm in arm with Merriman-Labor, you are sure to see Britons in merriment and at labour, by night and by day, in West and Central London.' In Britons Through Negro Spectacles Merriman-Labor takes us on a joyous, intoxicating tour of London at the turn of the 20th century. Slyly subverting the colonial gaze usually placed on Africa, he introduces us to the citizens, culture and customs of Britain with a mischievous glint in his eye. This incredible work of social commentary feels a century ahead of its time, and provides unique insights into the intersection between empire, race and community at this important moment in history. Selected by Booker Prize-winning author Bernardine Evaristo, this series rediscovers and celebrates pioneering books depicting black Britain that remap the nation.
This intriguing and witty collection of essays looks at how biography deals with myths and legends, what goes missing and what can't be proved in the story of a life.