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Myth, Montage, & Visuality in Late Medieval Manuscript Culture
A broad multidisciplinary study that uses the Epistre Othea to examine the visual presentation of knowledge
Early Netherlandish Paintings
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Illuminating Fashion
A comprehensive study of dress in Northern Europe from the early fourteenth century to the beginning of the Renaissance,Illuminating Fashion is the first thorough study of the history of fashion in this period based solely on firmly dated or datable works of art. It draws on illuminated manuscripts, early printed books, tapestries, paintings, and sculpture from museums and libraries around the world. "Symbolism and metaphors are buried in the art of fashion," says Roger Wieck, the editor ofIlluminating Fashion. Examining the role of social customs and politics in influencing dress, at a time of rapid change in fashion, this fully illustrated volume demonstrates the richness of such symbolism...
Ann Landers and Abigail Van Buren
A biography of the twin sisters known for the advice they give in their columns, "Ann Landers" and "Dear Abby."
Telling Images
Telling Images is a study of Chaucer's narrative art and its use of symbolic images in the visual arts of his time.
Jan van Eyck and Portugal's 'Illustrious Generation'
This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...
The Austin Dogmatics
Publication of the Austin Dogmatics fills a gap in American theological history. In 1963, the author published The Secular Meaning of the Gospel, which the press identified with the death of God movement. While the author denied the association, the Austin Dogmatics explains how he moved from the strict Barthianism of his early period to the linguistic analysis of his middle period. His late and perhaps most important work that lay ahead was yet in another direction entirely, making van Buren one of the most versatile and adventuresome American theologians of the second half of the twentieth century.
The Use of Models in Medieval Book Painting
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
