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The subject of this monograph is the archaeology of the jew's harp in Europe. It is based on archaeological finds collected from various sources and compiled into a database. This compilation - which is appended as a Catalogue - is itself a major part of the work, connected as it is to the main aim of documenting the finds and thus contributing to an understanding of the early period of the jew's harp in Europe.
De Nederlanden bezitten een rijke muziekcultuur, al zijn niet alle Nederlanders zich daarvan bewust. In deze muziekgeschiedenis worden talrijke facetten van de Nederlandse en Vlaamse muziek en het muziekleven belicht, vanaf de prehistorie tot aan de dag van vandaag. Niet alleen klassieke muziek, ook volks-, amateur- en populaire muziek komen aan de orde, steeds in hun sociale en culturele context. Bijzondere aandacht gaat uit naar de rol die muziek heeft gespeeld bij de constructie van identiteiten, hetzij van naties, of van politieke, etnische of religieuze groeperingen. Zowel de productie door componisten komt aan bod als de receptie van buitenlandse muziek in Nederland en Belgiƫ. Deze mu...
A rich and fascinating account of one of music history's most ancient, varied, and distinctive instruments From its origins in animal horn instruments in classical antiquity to the emergence of the modern horn in the seventeenth century, the horn appears wherever and whenever humans have made music. Its haunting, timeless presence endures in jazz and film music, as well as orchestral settings, to this day. In this welcome addition to the Yale Musical Instrument Series, Renato Meucci and Gabriele Rocchetti trace the origins of the modern horn in all its variety. From its emergence in Turin and its development of political and diplomatic functions across European courts, to the revolutionary invention of valves, the horn has presented in innumerable guises and forms. Aided by musical examples and newly discovered sources, Meucci and Rocchetti's book offers a comprehensive account of an instrument whose history is as complex and fascinating as its music.
Examines the social and religious messages of plays presented across the Low Countries, showing how they promoted or opposed calls for reform, religious and otherwise and argues that dramatists reshaped reform ideas to accommodate their own concerns.
From early medieval bards to the bands of the 'Cool Cymru' era, this book looks at Welsh musical practices and traditions, the forces that have influenced and directed them, and the ways in which the idea of Wales as a 'musical nation' has been formed and embedded in popular consciousness in Wales and beyond. Beginning with early medieval descriptions of musical life in Wales, the book provides both an overarching study of Welsh music history and detailed consideration of the ideas, beliefs, practices and institutions that shaped it. Topics include the eisteddfod, the church and the chapel, the influence of the Welsh language and Welsh cultural traditions, the scholarship of the Celtic Revival and the folk song movement, the impacts of industrialization and digitization, and exposure to broader trends in popular culture, including commercial popular music and sport.
Pan-European research on medieval clothing and textiles, drawing from a range of disciplines. This volume continues the series' tradition of bringing together work on clothing and textiles from across Europe. It has a strong focus on gold: subjects include sixth-century German burials containing sumptuous jewellery and bands brocaded with gold; the textual evidence for recycling such gold borders and bands in the later Anglo-Saxon period; and a semantic classification of words relating to gold in multi-lingual medieval Britain. It also rescues significant archaeological textiles from obscurity: there is a discussion of early medieval headdresses from The Netherlands, and an examination of a ...
Though archaeologists have long acknowledged the work of social anthropologists, anthropologists have been much less eager to repay the compliment. This volume argues that the time has come to recognise the insights archaeological approaches can bring to anthropology. Archaeology's rigorous approach to evidence and material culture; its ability to develop flexible research methodologies; its readiness to work with large-scale models of comparative social change, and to embrace the latest technology all means that it can offer valuable methods that can enrich and enhance current anthropological thinking.Cross-disciplinary and international in scope, this exciting volume draws together cutting-edge essays on the relationship between the two disciplines, arguing for greater collaboration and pointing to new concepts and approaches for anthropology. With contributions from leading scholars, this book will be essential reading for students and scholars of archaeology, anthropology and related disciplines.
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Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.